A Spot in the Sun

Short

say my names is a video that answers a frequently asked question...'but what is your name... really?' or 'but how do you want me to call you... which name?' So, after a few years of thinking, here is my answer in 100 words/100 second video.

Short

Chants d’amours is a powerful video work based on the appropriation of homophobic and transphobic slurs. By reinterpreting them, Lamathilde and her LGBTQ+ friends from Montreal transform stigma into poetic and political resistance, hoping to inspire more love, dignity, and resilience through words.

Short

Madonna Swimming is a video work created from footage of Madonna's music videos, Madonna is a cultural figure of excess, and her iconography appropriated from a saturated visual culture. This video collects the leaking Madonna, her images of sexuality and religion, and ultimately presents a more ambiguous product.

Short

The Bathroom Tapes: My Man is the first in a series of music videos shot entirely in the rooms of my apartment. Interested in domestic containment, nesting, and home-sweet-home comfort, these tapes play with aspects of domesticity through role-playing and denial in a self-constructed fantasy world that isn’t always pleasant.

Short

Ice-skating and gender. A pornographic collage of figure-skating footage.

Short

Disadoption challenges the plurality of the mother and father in adoption and asks whether it is possible to cancel an adoption or 'disadopt'. The artist transforms the lyrics of 'Twinkle Twinkle Little Star' learned by children in nursery school. The wonder of looking at the little star is converted into the surprise of a rumor told by the adoption agency.

Short

Media performance artist Dayna McLeod asked ChatGPT to write an increasingly snarky and heated dialogue between Roland Barthes and Michel Foucault about The Death of the Author, inspired by Barthes' famous essay. This script is performed by AI actors of the theorists, with Dayna’s AI doppelgänger, DaynAI, acting as host to their debate.

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After the 100th 'The Thursday Testo,' (TTT), the tri-linguistic references such as the Roman and Korean (Hangeul) alphabets and the Japanese syllabic (Katana) alphabet of the word TRANS on a comedy sketch by Kě.

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Snarling beasts.

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A sometimes-eerie romp through the mysterious life of Ponygirl, superhero of the night. Ponygirl has special powers, extra-ordinary props and a unique way of moving through the world. Will poignancy and humor prevail?

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In a city where victims of colonial history and dominant narratives intersect, a voice begins to examine the erasure of women and minorities. Between “win,” « nip », and « egg », she plays with words and identities, scrutinizing the violence of bodies and discourse—a fragile and political visual gesture.

Short

I watch tv so you don't have to. Like the short description summaries that often accompany tv programs though an on-screen cable guide, Don't Ask Don't Tell Gay, Gay, Gay is a jump-cut/short-cut edit that summarizes the content of Season 4, episode 4 of Boston Legal. All excess footage has been removed to capture the mainstream reflection and tone of American discourse around DADT.

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A remix of sounds and images from the Prelinger Archives that feature fashion trends.

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Madonna Swimming is a video work created from footage of Madonna's music videos, Madonna is a cultural figure of excess, and her iconography appropriated from a saturated visual culture. This video collects the leaking Madonna, her images of sexuality and religion, and ultimately presents a more ambiguous product.

Short

Burlesque, a student documentary exploring the world of burlesque as a space for artistic expression and personal liberation, where performers channel their creativity and sensuality. Through their voices, they speak about the power of the stage to reconnect with their bodies and establish a deep connection with the audience. Burlesque is presented as a feminist, inclusive, and supportive environment, celebrating gender and body diversity. The action takes place at the Wiggle Room, located in Montreal. It is the only burlesque cabaret in Canada, known for its warm atmosphere and strong sense of community.

Short

The filmmaker, starting a documentary research, interviews clients from the Champs bar to understand the importance of lesbo-queer bars for the community.

Short

Chants d’amours is a powerful video work based on the appropriation of homophobic and transphobic slurs. By reinterpreting them, Lamathilde and her LGBTQ+ friends from Montreal transform stigma into poetic and political resistance, hoping to inspire more love, dignity, and resilience through words.

Short

A literature teacher comes back to his apartment after having interrupted his class with seemingly no reason. He discovers his husband, with a bloody hammer in his hands, crying, next to a barely breathing girl, who seemed to have been hit in the head with the hammer.

Short

Interview with Denis B. Lapointe (formerly known as Denis Levesque) about the associative movement of the gay community in Montreal — among others, at the ADGQ — during the years leading to the establishment of what was first called Le Village de l’Est (in contrast to the gay bar sector west of downtown), then Le Village gai, and now simply Le Village. The third of the documentary series L'émergence du Village gai.

Short

“Stubble” is an experimental documentary, in which Emma asks people when do you wish to be soft, when do you long to be rough, and when are you both at the same time? Each scene is a fantasy the subjects are invited to play inside. While interviewees’ honest answers offer glimpses into their own inner worlds and contrasting experiences. Merging both the real life and staged aspects of the film.

Feature

The dangers of the past come in many forms. Two estranged Mi’kmaw siblings confront old animosities in an ancient forest, both in desperate need of healing. In their quest to rid themselves of the lingering evil that haunts them, they encounter the trail of their ancestors—and of their former selves. Mise’l (Blake Alec Miranda) is working a grueling shift when the jukebox warbles to life and an ominous presence from their childhood reveals itself, still capable of inflicting its wounds. Desperate, they seek out their younger brother, Antle (Forrest Goodluck). A task that requires them to part from their supportive partner and return home after many years away. Begrudgingly, their brother agrees to the journey, worried for his daughter’s safety if he does nothing, and they set out on a time-spanning mission. Elders are consulted. Strange creatures stalk them. Kinship is tested. The two heading deeper and deeper into nature at its most nurturing, and most menacing. From Bretten Hannam, the Two-Spirit L'nu filmmaker behind 2021’s acclaimed Wildhood (Opening Film I+N34, 2021), this is a ghost story of the highest order—equal parts eerie and edifying, and utterly unforgettable.

Short

Camille, at the bar, is in the process of reflecting on its identity. It feels cornered by its work, social norms and external expectations. But a dance performance combining drag artists, circassian.ne. s and other performeur.se. will shake its thinking: it is taken. By this new world that will allow it to drop its mask and discover itself personally.

Short

Hiko, 11, runs away from a neighborhood party after a disagreement with his mother over his refusal to wear makeup. He stumbles upon a mysterious circus tent, where an unexpected encounter reshapes his perception of himself. This magical adventure compels him to face his choices and explore his own identity.