AT THE PLACE OF GHOSTS (SK+TE'KMUJUE'KATIK)

Feature

Passionate, provocative, and powerful—it’s easy to see why Bearcave was awarded the Europa Cinema Label at the 2025 Venice Film Festival. Set in a fictional remote village in the Balkan Mountains of Greece, a love story between two lifelong friends unfolds—but will their relationship survive the call of womanhood? Argyro is a farm girl—hard-working, unpretentious, and wholesome while Anneta is … in a bit of trouble. Whisked away by her law enforcement beau (and carrying his child) Anneta’s move to the city threatens to sever her friendship with Argyro for good, but their understated glances from across the crowd at a party one night tells a different story. The whisper of sweet nothings and foggy windows in Argyro’s pickup truck soon fade to memory, leaving behind a cloud of confusion and heartbreak, that is—until Anneta’s side of the story unfolds. Set against a backdrop of sweeping landscapes, a mystical cave, and nettle bushes, Bearcave is a film that’s steeped in tradition, then abruptly subverted, and not only by a sapphic love story, but a hybrid soundscape of folkloric and contemporary music, as well as ethereal sequences of cinematographic magic.

Documentary

In Muslim-majority Malaysia, a queer punk band led by a transman are outliers of the system —carving out spaces to exist through their music while challenging conservative traditions and religious extremism. Brash, defiant and wickedly funny, punk rockers Shh…Diam! are an underground sensation in Kuala Lumpur. An all-queer band led by charismatic trans man Farris Saad, they’ve won devoted fans with playful anthems like “I Woke Up Gay” and “Lonely Lesbian.” Even their name (“Shut up!” in Malay) is a joke, poking fun at those who’d rather queer folks just kept quiet. Malaysia’s harsh laws are no laughing matter, however, and they put Farris and his bandmates at real risk of state persecution. Filming over six years, director Yihwen Chen follows them to practices, gigs and protests, capturing their irreverent advocacy amid a spate of anti-LGBTQ+ raids and arrests. She also documents major developments in their personal lives and relationships, including Farris’s preparations for his surgical transition. Both an iconic portrait of fearless activism and an intimate chronicle of chosen family, Queer as Punk is an instant entry in the queer cult canon.

Short

Black. Brown. Trans. Cis. Queer. Immigrant. Full Bodied. Embodied. Femme. A conversation with women from Toronto's ballroom scene exploring the intersections of identity and how they channel the presence and power of womanism on the runway.

Documentary

Executive produced by Elliot Page and Bob the Drag Queen, this on-the-couch and in-the-spotlight documentary charts the rise ’n grind ascent of a drag superstar. Through sweat and vocals, Peppermint trades relative Harlem obscurity for Drag Race glory as its first openly trans contestant, all while slaying society’s strictures. Whether vibing with famous friends like Laverne Cox and Sasha Velour or entering the dating scene while feeling devalued and pressured to pass, Peppermint lays out her truth. And regardless of the many obstacles littering her runway—personal and professional—she pursues her craft, knowing her “spirit belongs on the stage.” We are with Peppermint in the operating room during breast augmentation surgery, as a headliner on Broadway and during an historic pride celebration in Berlin, and in rehearsals as she prepares for sold out Nubia shows starring and produced by all Black queens. Then, as COVID hits and her tour is shut down, Peppermint’s resolve is put to the test as the career she so painstakingly constructed faces huge global shifts. Glammed up, laid low, ready for a fight for trans rights—this is Peppermint unfiltered and compelled, always, to create.

Short

Organza, a broke artist in a distant galaxy, travels across the stars to seek revenge on her ex-lover in an attempt to cure her mysterious illness.

FeatureVIRTUAL EXCLUSIVE

Karun, a kindly border guard, finds himself in “paradise” among Bandipora’s soaring peaks, though religious and cultural resentments simmer and scald. Jolted by Faheem’s gorgeous face revealed from behind a helmet visor, Karun is drawn into a romance with indelible repercussions in this first queer film in the Kashmiri language. Wooed by an apple and a warm ripple of attraction each time Faheem (a subtle yet potent Mir Tawseef) passes his checkpoint, Karun (Akash Unnimenon) ventures into Gurez to seek out further encounters. Gurez, a remote Kashmiri village near the border between India and Pakistan, speaks with the voice of soft lullabies and bleating sheep, of a flowing river indifferent to divisions, though that tranquility is soon replaced by distant gunfire. Determined to drop the veil of shame that partitions their lives, Faheem and Karun’s restless hearts pine for one another from a distance, the two praying to separate deities but sharing an equal desire. Wanting, so passionately, to be one. When terrorist infiltrators and a homegrown street gang make a volatile situation worse, can love bind as society breaks?

Short

Disadoption challenges the plurality of the mother and father in adoption and asks whether it is possible to cancel an adoption or 'disadopt'. The artist transforms the lyrics of 'Twinkle Twinkle Little Star' learned by children in nursery school. The wonder of looking at the little star is converted into the surprise of a rumor told by the adoption agency.

Feature

The protean central character of Queerpanorama has built a sex life for himself as an unreliable narrator. Curious about Hong Kong’s international tourists and struggling immigrants, this native Hongkonger briefly infiltrates their bubbles in the guise of other men he has bedded. In an open relationship with an American boyfriend—who, like his other writerly conjurings, may or may not exist—the anonymous ‘I’ (Jayden Cheung) uses his freedom to educate himself on the “complicated universe.” From vast urban spaces to remote beaches, and many a quiet restaurant and architectural marvel in between, ‘I’ bumps up against vastly different lifestyles and circumstances. Copulating and conversing with men who, like him, are searching for grounding or simply to lose themselves. For everyone seems to have reasons to be someone else—even if just for the length of their next encounter. Actor-turned-writer-director Jun Li renders his sexual odyssey in silky black and white, lending its contemporary subject matter a timeless, heightened air. With the noirish romanticism of In the Mood for Love and the beautifully framed melancholy of Lost in Translation, he depicts shifting ideas of normalcy and the burdens we bear or share.

Short

Stéphane’s sister attempts once more to convince him that he suffers from HIV/AIDS. This time, however, she has no intention of forcing him to go to a hospital. She has something different in mind...

Feature

Pillion is the unlikeliest (and most enthralling) of genre shake-ups, a romantic dark comedy about the biker dom who bends a meek sub to his will—and the sub who attempts to mold him in return. Colin (Harry Melling) is an endearingly crooked-teethed traffic enforcement officer who sings with his dad (Douglas Hodge) in a pub’s barbershop quartet. Ray (Alexander Skarsgård) is a biker god who reads Knausgård’s My Struggle while ignoring Colin, who satisfies his every whim. Thus, the stage is set for a twist on ‘opposites attract’: an is-it-love story of an impassive dom and his bemused submissive. As Colin begins to feel useful, a confidence that bleeds over into his thankless job, his dying mum Peggy (Lesley Sharp) grows less impressed. How much of himself is he willing to change to fit Ray’s strict rules? Is he losing his identity or becoming his true self? It’ll take some kinky wrestling, a countryside romp with Ray’s biker buddies (including a confident sub played by the Scissor Sisters’ Jake Shears), and a war waged over sleeping arrangements to find out, in this sex-positive jaw-dropper brimming with sneaky humour and heft.