WE ARE FAHEEM + KARUM

Short

In a dystopian future, two women flee exploitation and find love in a remote cabin, only to face relentless pursuit and a tragic fate.

Feature

CROATIAN • FRENCH ST | Marko, slight but mighty, seems always in control, always a champion—but what happens when he slips his banks? As “unstable air” portends torrential rains for a small Croatian village, the return of Marko’s former neighbour is the rush that might pull him under. Marko (Lav Novosel in a natural, understated performance) has a full life: a brother with Down syndrome (Leon Grgić) who he treats with a soft attentiveness; learning discipline from his father (Filip Šovagović) in the lead up to an arm-wrestling competition; chanting about female anatomy with his buds before pestering his girlfriend Petra (Franka Mikolaci) for sex. But there’s another side to his even-keeled bravado. For, as he tells his brother in the guise of a story, “the boy and the bunny” were once “inseparable,” with a secret hiding place of their own. And now that “bunny” is back. Home from cosmopolitan Berlin for his father’s funeral, Slaven (Andrija Žunac) catches Marko off guard. Despite training constantly as if to outrun his feelings, Marko returns again and again to the river, again and again to Slaven. An imported joint is shared, affections are renewed, and temperatures—and waters—rise.

Feature

Based on Fleur Pierets’ memoir of the same name, Julian tells the heart-wrenching love story between the author Fleur and Julian Demoor and Project 22—their international LGBTQ+ marriage campaign of 2017 that was brought to an abrupt halt by tragic circumstances. In 2017, it was legal for same-sex couples to get married in twenty-two countries worldwide, hence the birth of the performance art piece: Project 22. Fleur Pierets, a Belgian journalist and LGBTQ+ activist, came up with the idea to travel around the world and marry Julian—her partner in life as well as business (as co-founders of Et Alors? Magazine)—and not only once, but in every country where it was possible. The goal? To raise awareness on how few places same-sex couples could legally marry. Director Cato Kusters provides a fictionalized account spanning the campaign, from the years 2017–2019, with home-movie-esque film segments that provide an immersive peek into this courageous couple’s experience, both behind the scenes, on the road, and after the fact—moments of joy and silliness, as well as the intimacy, doubt, uncertainty of fighting for one’s rights while also fighting for one’s life.

Short

When her childhood best friend falls in love, nostalgic teenager Dodo struggles to let go of the past and goes to increasingly dangerous lengths to secure her affections, threatening to spoil their idyllic lakeside holiday.

Feature

The dangers of the past come in many forms. Two estranged Mi’kmaw siblings confront old animosities in an ancient forest, both in desperate need of healing. In their quest to rid themselves of the lingering evil that haunts them, they encounter the trail of their ancestors—and of their former selves. Mise’l (Blake Alec Miranda) is working a grueling shift when the jukebox warbles to life and an ominous presence from their childhood reveals itself, still capable of inflicting its wounds. Desperate, they seek out their younger brother, Antle (Forrest Goodluck). A task that requires them to part from their supportive partner and return home after many years away. Begrudgingly, their brother agrees to the journey, worried for his daughter’s safety if he does nothing, and they set out on a time-spanning mission. Elders are consulted. Strange creatures stalk them. Kinship is tested. The two heading deeper and deeper into nature at its most nurturing, and most menacing. From Bretten Hannam, the Two-Spirit L'nu filmmaker behind 2021’s acclaimed Wildhood (Opening Film I+N34, 2021), this is a ghost story of the highest order—equal parts eerie and edifying, and utterly unforgettable.

Short

A dancer struggles to break free from the hold of his choreographer, now drawn to another. This silent film explores power, inspiration, and replacement within the LGBTQ+ dance community through body language and music.

Feature

Azad is a transman and aspiring film student who lives discreetly, but happily, with his girlfriend Nora in Iran’s bustling capital, Tehran. After the long and grueling process of acquiring gender affirming care, one last step stands in Azad’s way of medically transitioning–a signature of consent from his estranged father. Farnoosh Samadi presents the heart-wrenching tale of young love strained under the confines of social oppression, where sumptuary legislation enforces dress codes and women can be subjected to ‘virginity tests.’ Even darker shadows lurk beneath the stunning scenery of the remote Iranian village where Azad hails from–a place he is no longer welcome for bringing shame to his conservative and superstitious family simply by being himself. Plagued by strange premonitions, in intermittent and surreal dream sequences, Nora soon finds herself suspicious of her partner’s true whereabouts when Azad suddenly goes missing and his family insists that he has returned to Tehran without her. A slow burn that eventually heats up with riveting intensity, Between Dreams and Hope tells a remarkable story of strength, courage, and resilience that leaves a profound and lasting impression long after the credits have rolled.

DocumentaryVIRTUAL EXCLUSIVE

Of the 8.7 million living animal species on Earth, thousands defy our expectations. Inspired by trans evolutionary biologist Dr. Joan Roughgarden’s groundbreaking work, narrator Elliot Page and preeminent queer, BIPOC, and immigrant scientists transcend well-trod narratives, revealing how survival hinges on being the most open to change. The scientific establishment has long been stymied by suppression and resistant to evidence debunking the primacy of three rigid categories: “insatiable” males, “coy” females, and “maladaptive and unnatural” others. But, from university labs to the forests of Costa Rica, that picture is changing, opening our eyes to a nature teeming with variations: polyandrous tamarins and polygamous Capuchin monkeys, “very gay” water fowl and sex-role reversed species like seahorses. We are guided through this diversity by sweeping footage, Caitlin Craggs’ delightfully quirky animations, and mind-blowing facts (for example, did you know 50% of fish on a coral reef are members of a sex-changing species?). In a political present where truth is under attack, Second Nature follows the trailblazers who are shifting the consensus from “sometimes this happens” to a codified science, leaving the “quaint myth” of the binary in the historical dust.

FeatureVIRTUAL EXCLUSIVE

DANISH • FRENCH ST | With In Ashes, writer-director Ludvig Christian Næsted Poulsen grippingly toys with genre. He inflects one Danish collegian’s immersion in frantic hook-up culture amidst a relationship mysteriously ended with elements of psychological horror and the tension of a spy thriller. In 2017 Copenhagen, baby-faced Christian (Rex Leonard, a nervy knockout) is glued to his camera, determined to capture every giddy moment he spends with his long-distance boyfriend Aske (Lior Cohen). Flash forward to 2022 Aarhus, “the most wonderful city in the world,” and a scruffier Christian seems less than content. He interrogates his schoolmate’s perspective and confronts strangers over assumed slights. He’s plagued by an unspoken ailment. And Aske seems nowhere to be found. With each empty tryst, each hungrily inhaled cigarette, Christian descends into a type of madness. Or is it clarity? Aske’s reappearance, arriving with the jolt of a jump scare, may hold the key to that question, as desperation congeals into starry-eyed determination. For those drawn in by the enigmatic pull of All of Us Strangers, In Ashes will have you guessing ‘is this a romance or a tragedy’ until the very last second—perhaps, even, long after.

Short

Trapped within their frames and watched by a menacing curator, two paintings form a silent bond that sparks a revolution. Blending live-action and animation, this surreal short explores power, resistance, queer identity, and the longing to break free from the confines of constructed worlds.