Inkwo For When the Starving Return (Inkwo à la défense des vivants)

Short

Derik Lynch, a Yankunytjatjara person, journeys from the confines of city life in Adelaide back to their Anangu community in Aputula, seeking healing through sacred Inma, traditional storytelling and reconnection with ancestral memory and spiritual strength.

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An Indigenous woman, Sarah, recounts to her grandson Devin a story from her time in Residential School, when she was believed to be possessed by a demon.

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A lyrical portrait of Nikyle Begay, a non-binary shepherd and weaver, preserving their way of life through the traditional art of weaving.

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Organza, a broke artist in a distant galaxy, travels across the stars to seek revenge on her ex-lover in an attempt to cure her mysterious illness.

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This documentary explores Indigeneity in prairie settings, highlighting feelings of disconnection and the desire for kinship with the Land. Through contrasting experiences and landscapes, it reflects on cultural dispossession and the ongoing journey to reconnect with one’s roots.

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This film captures the fleeting yet powerful moments of happiness, connection and resilience experienced by the queer community.

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A dancer struggles to break free from the hold of his choreographer, now drawn to another. This silent film explores power, inspiration, and replacement within the LGBTQ+ dance community through body language and music.

DocumentaryVIRTUAL EXCLUSIVE

Uniting from across continents to bring representation to the sport they love, Indigenous Rising laces up their skates to claim their space on the roller derby track. Indigenous Rising is the first team in roller derby history to break the barriers of representing a single country at the Roller Derby World Cup—igniting a movement that pulsates throughout the sport and within each other. Rising Through the Fray follows the team as it welcomes a new generation of players determined to change the face of roller derby—an inclusive, female-empowering sport still lacking diversity. With a compassionate, candid lens, Courtney Montour weaves energetic on-track game play with tender moments in teammates’ daily lives as skaters from over 30 Indigenous Nations navigate and learn each other’s play styles at tournaments and find strength within each other to compete and skate onto the track with pride. Intimate portraits of teammates Sour Cherry, Krispy and Hawaiian Blaze reveal stories of displacement and disconnection from their culture and identities and the journey of finding belonging within team Indigenous Rising. Rising Through the Fray offers a poignant exploration of resiliency, healing and reconnection of a roller derby family with a bond that goes beyond sport.

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Betty, driven by fear of rejection, lives isolated at home among her miniature figurines. When she meets a woman she can’t stop thinking about, she faces a difficult choice: remain in her safe, private world or step outside and risk vulnerability for a real connection.

Feature

The latest from Gail Maurice, the director of Rosie (Opening Film, I+N35, 2022), Blood Lines is breath-taking and evocative, bringing visibility to the lives of indigenous adoptees. Set in a remote Métis village, this woman-centric tale braves the nuances of intergenerational trauma with not only courage but humour. Director Gail Maurice delivers a poignant cameo as Leonore, seeking amends for her disappearance from her daughter Beatrice’s life. Meanwhile, Beatrice (clerk of the Eager Beaver gas station) meets Chani (a new transplant from the city in search of her birth family) but from here: a love story that’s anything but typical. With dialogue in the Michif language, which has less than 1200 speakers left, this urgent film shows the various ways women support one another—in particular, how Leonore’s closest friends “The Grannies” bring joy (and perhaps a bit of mischief) to each day despite hardships, past and present. Whether through sharing laughter, breaking bread, or extending an olive branch, it’s by their grace the next generation can see how patriarchy and colonialism have disempowered them and then held them to blame—until now, when stories finally fall on ears that listen.

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Frustrated sci-fi writer Julian is facing a slump in his relationship. So will his fiancé Leo's trip into orbit with the world's first ever low-cost alternative spaceline provide them with just the space they need to get back on track?

Feature

Passionate, provocative, and powerful—it’s easy to see why Bearcave was awarded the Europa Cinema Label at the 2025 Venice Film Festival. Set in a fictional remote village in the Balkan Mountains of Greece, a love story between two lifelong friends unfolds—but will their relationship survive the call of womanhood? Argyro is a farm girl—hard-working, unpretentious, and wholesome while Anneta is … in a bit of trouble. Whisked away by her law enforcement beau (and carrying his child) Anneta’s move to the city threatens to sever her friendship with Argyro for good, but their understated glances from across the crowd at a party one night tells a different story. The whisper of sweet nothings and foggy windows in Argyro’s pickup truck soon fade to memory, leaving behind a cloud of confusion and heartbreak, that is—until Anneta’s side of the story unfolds. Set against a backdrop of sweeping landscapes, a mystical cave, and nettle bushes, Bearcave is a film that’s steeped in tradition, then abruptly subverted, and not only by a sapphic love story, but a hybrid soundscape of folkloric and contemporary music, as well as ethereal sequences of cinematographic magic.

Documentary

In Muslim-majority Malaysia, a queer punk band led by a transman are outliers of the system —carving out spaces to exist through their music while challenging conservative traditions and religious extremism. Brash, defiant and wickedly funny, punk rockers Shh…Diam! are an underground sensation in Kuala Lumpur. An all-queer band led by charismatic trans man Farris Saad, they’ve won devoted fans with playful anthems like “I Woke Up Gay” and “Lonely Lesbian.” Even their name (“Shut up!” in Malay) is a joke, poking fun at those who’d rather queer folks just kept quiet. Malaysia’s harsh laws are no laughing matter, however, and they put Farris and his bandmates at real risk of state persecution. Filming over six years, director Yihwen Chen follows them to practices, gigs and protests, capturing their irreverent advocacy amid a spate of anti-LGBTQ+ raids and arrests. She also documents major developments in their personal lives and relationships, including Farris’s preparations for his surgical transition. Both an iconic portrait of fearless activism and an intimate chronicle of chosen family, Queer as Punk is an instant entry in the queer cult canon.

Feature

CROATIAN • ENGLISH ST | Marko, slight but mighty, seems always in control, always a champion—but what happens when he slips his banks? As “unstable air” portends torrential rains for a small Croatian village, the return of Marko’s former neighbour is the rush that might pull him under. Marko (Lav Novosel in a natural, understated performance) has a full life: a brother with Down syndrome (Leon Grgić) who he treats with a soft attentiveness; learning discipline from his father (Filip Šovagović) in the lead up to an arm-wrestling competition; chanting about female anatomy with his buds before pestering his girlfriend Petra (Franka Mikolaci) for sex. But there’s another side to his even-keeled bravado. For, as he tells his brother in the guise of a story, “the boy and the bunny” were once “inseparable,” with a secret hiding place of their own. And now that “bunny” is back. Home from cosmopolitan Berlin for his father’s funeral, Slaven (Andrija Žunac) catches Marko off guard. Despite training constantly as if to outrun his feelings, Marko returns again and again to the river, again and again to Slaven. An imported joint is shared, affections are renewed, and temperatures—and waters—rise.

Short

In a rigid manor where everyone conforms, a woman receives an orange, a fruit she has never seen before. This discovery transports her into a forested world of sensual fluidity where she must choose between returning to her old life or embracing a new, transformative way of being.

Feature

With the verve of a Guy Ritchie caper and the popping-hearts swoon of Heartstopper, writer-director-actor Lloyd Eyre-Morgan brings us a tale of troubled men and a soured affair. When two frequent flyers from the north of England cut ties, one sifts through the past to master his heartbroken present. According to “fit AF” Jake (David Tag), his sexuality is 70/30—the 30% of himself set aside for men. With one weekend a month in Amsterdam saved for sweet, searching Benji (Lloyd Eyre-Morgan), who he meets after a cancelled flight. The two seeming opposites wade through emotional and societal baggage to find the sweet spot: a short-term rental in Amsterdam where they can meet away from homegrown obligations. But the closer Benji gets to Jake’s gooey center, the more Jake approaches romance with the bumper rails up, flip-flopping between encouraging and squashing Benji’s vulnerability—and his own. In addition to its sex-soaked escapades and visual flair, Departures is written with care and complexity, peeling off layer after layer of what builds bonds, only to have them break. Self-funded by a collective of working-class LGBTQ+ filmmakers, this Manchester-made feature is confident, can’t-miss filmmaking.