Inkwo For When the Starving Return (Inkwo à la défense des vivants)

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Derik Lynch, a Yankunytjatjara person, journeys from the confines of city life in Adelaide back to their Anangu community in Aputula, seeking healing through sacred Inma, traditional storytelling and reconnection with ancestral memory and spiritual strength.

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An Indigenous woman, Sarah, recounts to her grandson Devin a story from her time in Residential School, when she was believed to be possessed by a demon.

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A lyrical portrait of Nikyle Begay, a non-binary shepherd and weaver, preserving their way of life through the traditional art of weaving.

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Organza, a broke artist in a distant galaxy, travels across the stars to seek revenge on her ex-lover in an attempt to cure her mysterious illness.

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This documentary explores Indigeneity in prairie settings, highlighting feelings of disconnection and the desire for kinship with the Land. Through contrasting experiences and landscapes, it reflects on cultural dispossession and the ongoing journey to reconnect with one’s roots.

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This film captures the fleeting yet powerful moments of happiness, connection and resilience experienced by the queer community.

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A dancer struggles to break free from the hold of his choreographer, now drawn to another. This silent film explores power, inspiration, and replacement within the LGBTQ+ dance community through body language and music.

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In a dystopian future, two women flee exploitation and find love in a remote cabin, only to face relentless pursuit and a tragic fate.

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Organza, a broke artist in a distant galaxy, travels across the stars to seek revenge on her ex-lover in an attempt to cure her mysterious illness.

Short

This film captures the fleeting yet powerful moments of happiness, connection and resilience experienced by the queer community.

Feature

Based on Fleur Pierets’ memoir of the same name, Julian tells the heart-wrenching love story between the author Fleur and Julian Demoor and Project 22—their international LGBTQ+ marriage campaign of 2017 that was brought to an abrupt halt by tragic circumstances. In 2017, it was legal for same-sex couples to get married in twenty-two countries worldwide, hence the birth of the performance art piece: Project 22. Fleur Pierets, a Belgian journalist and LGBTQ+ activist, came up with the idea to travel around the world and marry Julian—her partner in life as well as business (as co-founders of Et Alors? Magazine)—and not only once, but in every country where it was possible. The goal? To raise awareness on how few places same-sex couples could legally marry. Director Cato Kusters provides a fictionalized account spanning the campaign, from the years 2017–2019, with home-movie-esque film segments that provide an immersive peek into this courageous couple’s experience, both behind the scenes, on the road, and after the fact—moments of joy and silliness, as well as the intimacy, doubt, uncertainty of fighting for one’s rights while also fighting for one’s life.

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When her childhood best friend falls in love, nostalgic teenager Dodo struggles to let go of the past and goes to increasingly dangerous lengths to secure her affections, threatening to spoil their idyllic lakeside holiday.

Feature

The protean central character of Queerpanorama has built a sex life for himself as an unreliable narrator. Curious about Hong Kong’s international tourists and struggling immigrants, this native Hongkonger briefly infiltrates their bubbles in the guise of other men he has bedded. In an open relationship with an American boyfriend—who, like his other writerly conjurings, may or may not exist—the anonymous ‘I’ (Jayden Cheung) uses his freedom to educate himself on the “complicated universe.” From vast urban spaces to remote beaches, and many a quiet restaurant and architectural marvel in between, ‘I’ bumps up against vastly different lifestyles and circumstances. Copulating and conversing with men who, like him, are searching for grounding or simply to lose themselves. For everyone seems to have reasons to be someone else—even if just for the length of their next encounter. Actor-turned-writer-director Jun Li renders his sexual odyssey in silky black and white, lending its contemporary subject matter a timeless, heightened air. With the noirish romanticism of In the Mood for Love and the beautifully framed melancholy of Lost in Translation, he depicts shifting ideas of normalcy and the burdens we bear or share.

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Vivek navigates the chronic pain caused by the pressures of advocating for diversity, finding healing and strength through weightlifting.

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A lyrical portrait of Nikyle Begay, a non-binary shepherd and weaver, preserving their way of life through the traditional art of weaving.

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In a rigid manor where everyone conforms, a woman receives an orange, a fruit she has never seen before. This discovery transports her into a forested world of sensual fluidity where she must choose between returning to her old life or embracing a new, transformative way of being.