SECOND NATURE: GENDER AND SEXUALITY IN THE ANIMAL WORLD

Feature

Cass (Asia Kate Dillon, Billions) is a millennial gig worker, traversing the streetscapes of San Francisco by scooter, on the hustle to make ends meet, when a chance encounter with an intriguing coworker sets them on an inward journey of healing and self-discovery. Originally from Michigan–strong, silent and dependable Cass now lives in the Outer Sunset region of San Francisco (aka the Outerlands), a neighbourhood brushed by gentrification. Though they shy away from connection—their loneliness captured by quiet, camera close-ups—Cass soon becomes visible to Denise (Lea DeLaria), a compassionate bank teller who begins doling out advice, not only on landlord subterfuge, but also queer survival. As Cass continues to tread the tightrope of social and economic displacement–working as a nanny, a server, and even selling drugs–they are left wanting after a one night stand with Kalli (Louisa Krause), their desire for connection met with another gig opportunity: babysitting Kalli’s eleven-year-old daughter, Ari (Ridley Asha Bateman). Eventually bonding with Ari over video games, Cass battles long-forgotten, inner demons, but not without gaining the hope that home—though a place they can never return to—can perhaps be a place that they build for themselves.

Feature

Frances, feeling boxed in by their Australian high school, plunges into their self-centred grandpa Jim’s queer milieu in Amsterdam. There, with their mother’s strained attempts at soft counsel, they face unfamiliar experiences and Jim’s prodding to both justify themselves and evolve, learning that what is brave is invariably uncomfortable. Jimpa (John Lithgow) may be a grandpa, but he’s also a gay activist who loves getting naked; someone who believes conversation is a “collision of opinions”; a man who needs to feel useful but keeps loved ones at arm’s length. And Hannah (Olivia Colman) is more than just his daughter. She’s a filmmaker; a mother of a non-binary 16-year-old (Aud Mason-Hyde); a woman who some consider conflict-averse. But is she? Or is Hannah’s radical acceptance and belief in “working towards agreement” a healthy approach to complexity? A way of rejecting a culture that stews in its traumas? This stance will be tested by unlikely desires and inflections of the past, which soak into the fabric of the present. Dynamized by stellar performances, Jimpa is an empathetic masterpiece that subverts expectations and cliches, illuminating the pleasures and pain points of intergenerational attachment.

Short

Axis, an anxious enby, faces a supernatural surge of fears during a late-night walk home alone.

DocumentaryVIRTUAL EXCLUSIVE

In the '70s and '80s, there were over 230 feminist restaurants, cafes, and coffeehouses throughout the United States and Canada. Bloodroot, located in Bridgeport, Connecticut, is now the oldest and longest-lasting of those spaces, in continuous operation for over 46 years. A Culinary Uprising: The Story of Bloodroot is a documentary that explores this feminist, queer, vegan restaurant and bookstore, and illuminates the legacy of its pioneering proprietors, Selma Miriam and Noel Furie. The film shares the history of Bloodroot, its place in the landscape of American feminist thought, and the impact it has had on the local community. It follows the restaurant’s founders, Selma and Noel, as well as the staff and customers, who reveal why Bloodroot is much more than just a restaurant. Audiences get an intimate look inside these women’s 46-year working partnership, along with how they navigate sexism, homophobia, and the reality of getting older. Despite challenges, Bloodroot has endured as a beloved space for generations of feminists, vegans, and queer people who keep coming back.

Short

On New Year's Eve, a broke and restless young man is drawn into a risky encounter with a hustler's client at a hotel. After being assaulted and scammed, with no help from the staff, he must face the consequences of his choices.

Short

A film celebrating the resilience of queer people of colour, reflecting on the journey to nonbinary identity and the courage to embrace oneself fully.

Short

A masculine-presenting young woman travels back to her rural hometown to care for her estranged father, a former rancher, after a car accident. She soon realizes that mending their relationship is complicated when her sense of identity challenges her father's understanding.

Feature

With the verve of a Guy Ritchie caper and the popping-hearts swoon of Heartstopper, writer-director-actor Lloyd Eyre-Morgan brings us a tale of troubled men and a soured affair. When two frequent flyers from the north of England cut ties, one sifts through the past to master his heartbroken present. According to “fit AF” Jake (David Tag), his sexuality is 70/30—the 30% of himself set aside for men. With one weekend a month in Amsterdam saved for sweet, searching Benji (Lloyd Eyre-Morgan), who he meets after a cancelled flight. The two seeming opposites wade through emotional and societal baggage to find the sweet spot: a short-term rental in Amsterdam where they can meet away from homegrown obligations. But the closer Benji gets to Jake’s gooey center, the more Jake approaches romance with the bumper rails up, flip-flopping between encouraging and squashing Benji’s vulnerability—and his own. In addition to its sex-soaked escapades and visual flair, Departures is written with care and complexity, peeling off layer after layer of what builds bonds, only to have them break. Self-funded by a collective of working-class LGBTQ+ filmmakers, this Manchester-made feature is confident, can’t-miss filmmaking.

Short

In a rigid manor where everyone conforms, a woman receives an orange, a fruit she has never seen before. This discovery transports her into a forested world of sensual fluidity where she must choose between returning to her old life or embracing a new, transformative way of being.

Feature

A tight-knit group of revolutionary gay filmmakers in late-1950s former Yugoslavia are shackled by the state to Emir, a communist bureaucrat conditioned to see sabotage everywhere. When the group endeavours to use the Tito regime’s ideological weapons against them, an upended system or the horrors of Barren Island await. Desire—for all of us—can be a heady cocktail. In a society that turns desire inside out, with trust shaken and lover pitted against lover, it becomes a minefield. Dancing cheek to cheek and screwing with abandon turned into revolutionary acts, art a tool for undermining authority. All tactics taken up by professional and romantic partners Lovro (Dado Cosic) and Nenad (Djordje Galic) and their fellow filmmakers (Slaven Doslo, Elmir Krivalic). The four friends determined to savour glimpses of the beautiful lives possible if defense mechanisms could safely fall—a boogie-woogie record; a secluded, seaside house in Istria—as they risk their lives for the cause of freedom. In Croatia’s official submission for the 2025 Academy Awards, the sex is explicit, the stakes and brutality intense, the cinematography stunning. A gutting and rarefied concoction immortalized by writer-director Ivona Juka’s daring cinematic achievement.