Walk Me Home

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Twitch is an ode to overcoming dark energies that lie within; confronting fear and the journey to self-acceptance.

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I am near-sighted. When I see a potentially beautiful boy at a distance, I perceive him as perfectly beautiful. Gradually, as he approaches, he begins to accumulate defects which detract from his overall beauty; sometimes to the point where he ceases to be attractive at all.

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This watercolor animation of childlike creatures, poppies, and dismembered legs—collaged from Nothing Ever Happened—reflects on loss. Set to Rae Spoon’s Love is a Hunter, it explores how love can be transformative yet threatening, evoking a childhood shaped by hiding from violence, pain, and the fragility of affection.

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A 'sissy devil' explores the depths of internet intelligence by conducting an 'advanced search' on an outdated search engine. Meanwhile, a female artist sketches her destiny.

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One is the Loneliest Number places a universal hero in the shoes of the heartbroken. Céline, Jon, Britney and Stevie couldn’t have said it better!

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Johanie, the single mother of a dysfunctional family, grows wary when Ian and his dog move into the neighborhood. The back alley between them becomes the stage for a rivalry where prejudice, fascination, and frustration subtly intertwine with the sound of barking.

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Two lesbian twin brothers play out a prescribed sleep-work-play existence. But, when evening comes...

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A portrait of the legendary Madame Simone, shot in the early nineties by an undergraduate student.

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Another spectacular output from Montreal’s DJ Frigid.

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Part of the My Heart series initiated by Nik Forrest, Annie Martin and Nelson Henricks, a reflection on gender, delving into childhood memory, gender fluctuation and a love of late 70s rock stars.

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A poetic exploration of Black womanhood, race, place, and identity, delving into the double-voiced discourses of a particular Black literary tradition concerning the complexities faced by enslaved people learning their captor’s language.

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A trans woman dies on the operating table during facial feminization surgery, but death is no match for a determined transsexual.

Feature

Azad is a transman and aspiring film student who lives discreetly, but happily, with his girlfriend Nora in Iran’s bustling capital, Tehran. After the long and grueling process of acquiring gender affirming care, one last step stands in Azad’s way of medically transitioning–a signature of consent from his estranged father. Farnoosh Samadi presents the heart-wrenching tale of young love strained under the confines of social oppression, where sumptuary legislation enforces dress codes and women can be subjected to ‘virginity tests.’ Even darker shadows lurk beneath the stunning scenery of the remote Iranian village where Azad hails from–a place he is no longer welcome for bringing shame to his conservative and superstitious family simply by being himself. Plagued by strange premonitions, in intermittent and surreal dream sequences, Nora soon finds herself suspicious of her partner’s true whereabouts when Azad suddenly goes missing and his family insists that he has returned to Tehran without her. A slow burn that eventually heats up with riveting intensity, Between Dreams and Hope tells a remarkable story of strength, courage, and resilience that leaves a profound and lasting impression long after the credits have rolled.

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After yet another after-party, Mia faces an identity crisis. With the support of her two best friends, she navigates a pivotal moment in her life, confronting herself and finding the courage to embrace who she truly is.

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Sam's search for identity is interrupted by a mysterious neighborhood fox. Together, they embark on a magical journey to the attic, discovering unexpected commonalities and how to celebrate their differences.

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A radiant superhero faces off against a MAGA mob while navigating personal struggles. Alongside a group of youth, they embody trans joy, resistance, and chosen family, using courage and connection to build community and confront adversity.

DocumentaryVIRTUAL EXCLUSIVE

Of the 8.7 million living animal species on Earth, thousands defy our expectations. Inspired by trans evolutionary biologist Dr. Joan Roughgarden’s groundbreaking work, narrator Elliot Page and preeminent queer, BIPOC, and immigrant scientists transcend well-trod narratives, revealing how survival hinges on being the most open to change. The scientific establishment has long been stymied by suppression and resistant to evidence debunking the primacy of three rigid categories: “insatiable” males, “coy” females, and “maladaptive and unnatural” others. But, from university labs to the forests of Costa Rica, that picture is changing, opening our eyes to a nature teeming with variations: polyandrous tamarins and polygamous Capuchin monkeys, “very gay” water fowl and sex-role reversed species like seahorses. We are guided through this diversity by sweeping footage, Caitlin Craggs’ delightfully quirky animations, and mind-blowing facts (for example, did you know 50% of fish on a coral reef are members of a sex-changing species?). In a political present where truth is under attack, Second Nature follows the trailblazers who are shifting the consensus from “sometimes this happens” to a codified science, leaving the “quaint myth” of the binary in the historical dust.

Feature

Frances, feeling boxed in by their Australian high school, plunges into their self-centred grandpa Jim’s queer milieu in Amsterdam. There, with their mother’s strained attempts at soft counsel, they face unfamiliar experiences and Jim’s prodding to both justify themselves and evolve, learning that what is brave is invariably uncomfortable. Jimpa (John Lithgow) may be a grandpa, but he’s also a gay activist who loves getting naked; someone who believes conversation is a “collision of opinions”; a man who needs to feel useful but keeps loved ones at arm’s length. And Hannah (Olivia Colman) is more than just his daughter. She’s a filmmaker; a mother of a non-binary 16-year-old (Aud Mason-Hyde); a woman who some consider conflict-averse. But is she? Or is Hannah’s radical acceptance and belief in “working towards agreement” a healthy approach to complexity? A way of rejecting a culture that stews in its traumas? This stance will be tested by unlikely desires and inflections of the past, which soak into the fabric of the present. Dynamized by stellar performances, Jimpa is an empathetic masterpiece that subverts expectations and cliches, illuminating the pleasures and pain points of intergenerational attachment.

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Axis, an anxious enby, faces a supernatural surge of fears during a late-night walk home alone.

Feature

Cass (Asia Kate Dillon, Billions) is a millennial gig worker, traversing the streetscapes of San Francisco by scooter, on the hustle to make ends meet, when a chance encounter with an intriguing coworker sets them on an inward journey of healing and self-discovery. Originally from Michigan–strong, silent and dependable Cass now lives in the Outer Sunset region of San Francisco (aka the Outerlands), a neighbourhood brushed by gentrification. Though they shy away from connection—their loneliness captured by quiet, camera close-ups—Cass soon becomes visible to Denise (Lea DeLaria), a compassionate bank teller who begins doling out advice, not only on landlord subterfuge, but also queer survival. As Cass continues to tread the tightrope of social and economic displacement–working as a nanny, a server, and even selling drugs–they are left wanting after a one night stand with Kalli (Louisa Krause), their desire for connection met with another gig opportunity: babysitting Kalli’s eleven-year-old daughter, Ari (Ridley Asha Bateman). Eventually bonding with Ari over video games, Cass battles long-forgotten, inner demons, but not without gaining the hope that home—though a place they can never return to—can perhaps be a place that they build for themselves.

Documentary

In Muslim-majority Malaysia, a queer punk band led by a transman are outliers of the system —carving out spaces to exist through their music while challenging conservative traditions and religious extremism. Brash, defiant and wickedly funny, punk rockers Shh…Diam! are an underground sensation in Kuala Lumpur. An all-queer band led by charismatic trans man Farris Saad, they’ve won devoted fans with playful anthems like “I Woke Up Gay” and “Lonely Lesbian.” Even their name (“Shut up!” in Malay) is a joke, poking fun at those who’d rather queer folks just kept quiet. Malaysia’s harsh laws are no laughing matter, however, and they put Farris and his bandmates at real risk of state persecution. Filming over six years, director Yihwen Chen follows them to practices, gigs and protests, capturing their irreverent advocacy amid a spate of anti-LGBTQ+ raids and arrests. She also documents major developments in their personal lives and relationships, including Farris’s preparations for his surgical transition. Both an iconic portrait of fearless activism and an intimate chronicle of chosen family, Queer as Punk is an instant entry in the queer cult canon.