Image+Nation
SANDBAG DAM (ZEČJI NASIP) (FR)

SANDBAG DAM (ZEČJI NASIP) (FR)

ČEJEN ČERNIĆ ČANAK | CROATIA, LITHUANIA + SLOVENIA | 2025 | 87 MIN | CROATIAN FST

ČEJEN ČERNIĆ ČANAK | CROATIA, LITHUANIA + SLOVENIA | 2025 | 87 MIN | CROATIAN FST

FeatureFIRST VOICESCOMPETITION

Synopsis

CROATIAN • FRENCH ST | Marko, slight but mighty, seems always in control, always a champion—but what happens when he slips his banks? As “unstable air” portends torrential rains for a small Croatian village, the return of Marko’s former neighbour is the rush that might pull him under. Marko (Lav Novosel in a natural, understated performance) has a full life: a brother with Down syndrome (Leon Grgić) who he treats with a soft attentiveness; learning discipline from his father (Filip Šovagović) in the lead up to an arm-wrestling competition; chanting about female anatomy with his buds before pestering his girlfriend Petra (Franka Mikolaci) for sex. But there’s another side to his even-keeled bravado. For, as he tells his brother in the guise of a story, “the boy and the bunny” were once “inseparable,” with a secret hiding place of their own. And now that “bunny” is back. Home from cosmopolitan Berlin for his father’s funeral, Slaven (Andrija Žunac) catches Marko off guard. Despite training constantly as if to outrun his feelings, Marko returns again and again to the river, again and again to Slaven. An imported joint is shared, affections are renewed, and temperatures—and waters—rise.

Trailer

Filmmaker Bio

Čejen Černić Čanak is a Croatian director and screenwriter born in Osijek in 1982. She graduated in Film and TV Directing from the Zagreb Academy of Dramatic Art. Černić Čanak has directed several short fiction and documentary films, including The Girl Who Loved Fairy Tales (2014) and The Mystery of Green Hill (2017), which won the Breza Award for Best Debutant at the Pula Film Festival. Her latest feature, Sandbag Dam (Zečji nasip, 2025), premiered at the 75th Berlin International Film Festival and was nominated for the Teddy Award for Best Feature Film.

Producer

Ankica Jurić Tilić, Dragan Jurić, Hrvoje Pervan

Writer

Tomislav Zajec

Cinematographer

Marko Brdar

Cast

  • Lav Novosel
  • Andrija Žunac
  • Leon Grgić
  • Franka Mikolaci
  • Tanja Smoje
  • Alma Prica
  • Filip Šovagović
  • Luka Baškarad
  • Radoslava Mrkšić
  • Marica Vidušić
Image
Image
Image
Image
Image
Image

You might also like

PosterShort
Dragfox[COMPETITION]8 minutes

Sam's search for identity is interrupted by a mysterious neighborhood fox. Together, they embark on a magical journey to the attic, discovering unexpected commonalities and how to celebrate their differences.

PosterShort
The Eating of an Orange[COMPETITION]7 minutes

In a rigid manor where everyone conforms, a woman receives an orange, a fruit she has never seen before. This discovery transports her into a forested world of sensual fluidity where she must choose between returning to her old life or embracing a new, transformative way of being.

PosterShort
Inkwo For When the Starving Return (Inkwo à la défense des vivants)[COMPETITION]17 minutes

In the near future, Dove, a gender fluid person, discovers the powers and perils of their Inkwo (Indigenous medicine) while defending the living against a horde of ravenous monsters, testing their courage, resilience, and connection to the Earth.

PosterFeatureVIRTUAL EXCLUSIVE
IN ASHES (FR)[COMPETITION]82 minutes

DANISH • FRENCH ST | With In Ashes, writer-director Ludvig Christian Næsted Poulsen grippingly toys with genre. He inflects one Danish collegian’s immersion in frantic hook-up culture amidst a relationship mysteriously ended with elements of psychological horror and the tension of a spy thriller. In 2017 Copenhagen, baby-faced Christian (Rex Leonard, a nervy knockout) is glued to his camera, determined to capture every giddy moment he spends with his long-distance boyfriend Aske (Lior Cohen). Flash forward to 2022 Aarhus, “the most wonderful city in the world,” and a scruffier Christian seems less than content. He interrogates his schoolmate’s perspective and confronts strangers over assumed slights. He’s plagued by an unspoken ailment. And Aske seems nowhere to be found. With each empty tryst, each hungrily inhaled cigarette, Christian descends into a type of madness. Or is it clarity? Aske’s reappearance, arriving with the jolt of a jump scare, may hold the key to that question, as desperation congeals into starry-eyed determination. For those drawn in by the enigmatic pull of All of Us Strangers, In Ashes will have you guessing ‘is this a romance or a tragedy’ until the very last second—perhaps, even, long after.

PosterShort
The Divine Femme[COMPETITION]17 minutes

Black. Brown. Trans. Cis. Queer. Immigrant. Full Bodied. Embodied. Femme. A conversation with women from Toronto's ballroom scene exploring the intersections of identity and how they channel the presence and power of womanism on the runway.

PosterDocumentaryVIRTUAL EXCLUSIVE
A CULINARY UPRISING: THE STORY OF BLOODROOT[Test]82 minutes

In the '70s and '80s, there were over 230 feminist restaurants, cafes, and coffeehouses throughout the United States and Canada. Bloodroot, located in Bridgeport, Connecticut, is now the oldest and longest-lasting of those spaces, in continuous operation for over 46 years. A Culinary Uprising: The Story of Bloodroot is a documentary that explores this feminist, queer, vegan restaurant and bookstore, and illuminates the legacy of its pioneering proprietors, Selma Miriam and Noel Furie. The film shares the history of Bloodroot, its place in the landscape of American feminist thought, and the impact it has had on the local community. It follows the restaurant’s founders, Selma and Noel, as well as the staff and customers, who reveal why Bloodroot is much more than just a restaurant. Audiences get an intimate look inside these women’s 46-year working partnership, along with how they navigate sexism, homophobia, and the reality of getting older. Despite challenges, Bloodroot has endured as a beloved space for generations of feminists, vegans, and queer people who keep coming back.

PosterFeature
DEPARTURES[COMPETITION]82 minutes

With the verve of a Guy Ritchie caper and the popping-hearts swoon of Heartstopper, writer-director-actor Lloyd Eyre-Morgan brings us a tale of troubled men and a soured affair. When two frequent flyers from the north of England cut ties, one sifts through the past to master his heartbroken present. According to “fit AF” Jake (David Tag), his sexuality is 70/30—the 30% of himself set aside for men. With one weekend a month in Amsterdam saved for sweet, searching Benji (Lloyd Eyre-Morgan), who he meets after a cancelled flight. The two seeming opposites wade through emotional and societal baggage to find the sweet spot: a short-term rental in Amsterdam where they can meet away from homegrown obligations. But the closer Benji gets to Jake’s gooey center, the more Jake approaches romance with the bumper rails up, flip-flopping between encouraging and squashing Benji’s vulnerability—and his own. In addition to its sex-soaked escapades and visual flair, Departures is written with care and complexity, peeling off layer after layer of what builds bonds, only to have them break. Self-funded by a collective of working-class LGBTQ+ filmmakers, this Manchester-made feature is confident, can’t-miss filmmaking.

PosterFeature
SANDBAG DAM (ZEČJI NASIP) (EN) [FIRST VOICES]87 minutes

CROATIAN • ENGLISH ST | Marko, slight but mighty, seems always in control, always a champion—but what happens when he slips his banks? As “unstable air” portends torrential rains for a small Croatian village, the return of Marko’s former neighbour is the rush that might pull him under. Marko (Lav Novosel in a natural, understated performance) has a full life: a brother with Down syndrome (Leon Grgić) who he treats with a soft attentiveness; learning discipline from his father (Filip Šovagović) in the lead up to an arm-wrestling competition; chanting about female anatomy with his buds before pestering his girlfriend Petra (Franka Mikolaci) for sex. But there’s another side to his even-keeled bravado. For, as he tells his brother in the guise of a story, “the boy and the bunny” were once “inseparable,” with a secret hiding place of their own. And now that “bunny” is back. Home from cosmopolitan Berlin for his father’s funeral, Slaven (Andrija Žunac) catches Marko off guard. Despite training constantly as if to outrun his feelings, Marko returns again and again to the river, again and again to Slaven. An imported joint is shared, affections are renewed, and temperatures—and waters—rise.

PosterFeature
BEARCAVE (ARKOUDOTRYPA)[COMPETITION]128 minutes

Passionate, provocative, and powerful—it’s easy to see why Bearcave was awarded the Europa Cinema Label at the 2025 Venice Film Festival. Set in a fictional remote village in the Balkan Mountains of Greece, a love story between two lifelong friends unfolds—but will their relationship survive the call of womanhood? Argyro is a farm girl—hard-working, unpretentious, and wholesome while Anneta is … in a bit of trouble. Whisked away by her law enforcement beau (and carrying his child) Anneta’s move to the city threatens to sever her friendship with Argyro for good, but their understated glances from across the crowd at a party one night tells a different story. The whisper of sweet nothings and foggy windows in Argyro’s pickup truck soon fade to memory, leaving behind a cloud of confusion and heartbreak, that is—until Anneta’s side of the story unfolds. Set against a backdrop of sweeping landscapes, a mystical cave, and nettle bushes, Bearcave is a film that’s steeped in tradition, then abruptly subverted, and not only by a sapphic love story, but a hybrid soundscape of folkloric and contemporary music, as well as ethereal sequences of cinematographic magic.

PosterShort
La première marche (No Contest)[COMPETITION]18 minutes

When Victoire, a young trans judoka, reaches the finals of a local competition, her opponent Sonia refuses to face her. A confrontation that transcends sport, questioning prejudice, courage, and the right to simply exist.

PosterShort
Dragfox[COMPETITION]8 minutes

Sam's search for identity is interrupted by a mysterious neighborhood fox. Together, they embark on a magical journey to the attic, discovering unexpected commonalities and how to celebrate their differences.

PosterShort
The Eating of an Orange[COMPETITION]7 minutes

In a rigid manor where everyone conforms, a woman receives an orange, a fruit she has never seen before. This discovery transports her into a forested world of sensual fluidity where she must choose between returning to her old life or embracing a new, transformative way of being.

PosterShort
Inkwo For When the Starving Return (Inkwo à la défense des vivants)[COMPETITION]17 minutes

In the near future, Dove, a gender fluid person, discovers the powers and perils of their Inkwo (Indigenous medicine) while defending the living against a horde of ravenous monsters, testing their courage, resilience, and connection to the Earth.

PosterFeatureVIRTUAL EXCLUSIVE
IN ASHES (FR)[COMPETITION]82 minutes

DANISH • FRENCH ST | With In Ashes, writer-director Ludvig Christian Næsted Poulsen grippingly toys with genre. He inflects one Danish collegian’s immersion in frantic hook-up culture amidst a relationship mysteriously ended with elements of psychological horror and the tension of a spy thriller. In 2017 Copenhagen, baby-faced Christian (Rex Leonard, a nervy knockout) is glued to his camera, determined to capture every giddy moment he spends with his long-distance boyfriend Aske (Lior Cohen). Flash forward to 2022 Aarhus, “the most wonderful city in the world,” and a scruffier Christian seems less than content. He interrogates his schoolmate’s perspective and confronts strangers over assumed slights. He’s plagued by an unspoken ailment. And Aske seems nowhere to be found. With each empty tryst, each hungrily inhaled cigarette, Christian descends into a type of madness. Or is it clarity? Aske’s reappearance, arriving with the jolt of a jump scare, may hold the key to that question, as desperation congeals into starry-eyed determination. For those drawn in by the enigmatic pull of All of Us Strangers, In Ashes will have you guessing ‘is this a romance or a tragedy’ until the very last second—perhaps, even, long after.

PosterShort
The Divine Femme[COMPETITION]17 minutes

Black. Brown. Trans. Cis. Queer. Immigrant. Full Bodied. Embodied. Femme. A conversation with women from Toronto's ballroom scene exploring the intersections of identity and how they channel the presence and power of womanism on the runway.

PosterDocumentaryVIRTUAL EXCLUSIVE
A CULINARY UPRISING: THE STORY OF BLOODROOT[Test]82 minutes

In the '70s and '80s, there were over 230 feminist restaurants, cafes, and coffeehouses throughout the United States and Canada. Bloodroot, located in Bridgeport, Connecticut, is now the oldest and longest-lasting of those spaces, in continuous operation for over 46 years. A Culinary Uprising: The Story of Bloodroot is a documentary that explores this feminist, queer, vegan restaurant and bookstore, and illuminates the legacy of its pioneering proprietors, Selma Miriam and Noel Furie. The film shares the history of Bloodroot, its place in the landscape of American feminist thought, and the impact it has had on the local community. It follows the restaurant’s founders, Selma and Noel, as well as the staff and customers, who reveal why Bloodroot is much more than just a restaurant. Audiences get an intimate look inside these women’s 46-year working partnership, along with how they navigate sexism, homophobia, and the reality of getting older. Despite challenges, Bloodroot has endured as a beloved space for generations of feminists, vegans, and queer people who keep coming back.

PosterFeature
DEPARTURES[COMPETITION]82 minutes

With the verve of a Guy Ritchie caper and the popping-hearts swoon of Heartstopper, writer-director-actor Lloyd Eyre-Morgan brings us a tale of troubled men and a soured affair. When two frequent flyers from the north of England cut ties, one sifts through the past to master his heartbroken present. According to “fit AF” Jake (David Tag), his sexuality is 70/30—the 30% of himself set aside for men. With one weekend a month in Amsterdam saved for sweet, searching Benji (Lloyd Eyre-Morgan), who he meets after a cancelled flight. The two seeming opposites wade through emotional and societal baggage to find the sweet spot: a short-term rental in Amsterdam where they can meet away from homegrown obligations. But the closer Benji gets to Jake’s gooey center, the more Jake approaches romance with the bumper rails up, flip-flopping between encouraging and squashing Benji’s vulnerability—and his own. In addition to its sex-soaked escapades and visual flair, Departures is written with care and complexity, peeling off layer after layer of what builds bonds, only to have them break. Self-funded by a collective of working-class LGBTQ+ filmmakers, this Manchester-made feature is confident, can’t-miss filmmaking.

PosterFeature
SANDBAG DAM (ZEČJI NASIP) (EN) [FIRST VOICES]87 minutes

CROATIAN • ENGLISH ST | Marko, slight but mighty, seems always in control, always a champion—but what happens when he slips his banks? As “unstable air” portends torrential rains for a small Croatian village, the return of Marko’s former neighbour is the rush that might pull him under. Marko (Lav Novosel in a natural, understated performance) has a full life: a brother with Down syndrome (Leon Grgić) who he treats with a soft attentiveness; learning discipline from his father (Filip Šovagović) in the lead up to an arm-wrestling competition; chanting about female anatomy with his buds before pestering his girlfriend Petra (Franka Mikolaci) for sex. But there’s another side to his even-keeled bravado. For, as he tells his brother in the guise of a story, “the boy and the bunny” were once “inseparable,” with a secret hiding place of their own. And now that “bunny” is back. Home from cosmopolitan Berlin for his father’s funeral, Slaven (Andrija Žunac) catches Marko off guard. Despite training constantly as if to outrun his feelings, Marko returns again and again to the river, again and again to Slaven. An imported joint is shared, affections are renewed, and temperatures—and waters—rise.

PosterFeature
BEARCAVE (ARKOUDOTRYPA)[COMPETITION]128 minutes

Passionate, provocative, and powerful—it’s easy to see why Bearcave was awarded the Europa Cinema Label at the 2025 Venice Film Festival. Set in a fictional remote village in the Balkan Mountains of Greece, a love story between two lifelong friends unfolds—but will their relationship survive the call of womanhood? Argyro is a farm girl—hard-working, unpretentious, and wholesome while Anneta is … in a bit of trouble. Whisked away by her law enforcement beau (and carrying his child) Anneta’s move to the city threatens to sever her friendship with Argyro for good, but their understated glances from across the crowd at a party one night tells a different story. The whisper of sweet nothings and foggy windows in Argyro’s pickup truck soon fade to memory, leaving behind a cloud of confusion and heartbreak, that is—until Anneta’s side of the story unfolds. Set against a backdrop of sweeping landscapes, a mystical cave, and nettle bushes, Bearcave is a film that’s steeped in tradition, then abruptly subverted, and not only by a sapphic love story, but a hybrid soundscape of folkloric and contemporary music, as well as ethereal sequences of cinematographic magic.

PosterShort
La première marche (No Contest)[COMPETITION]18 minutes

When Victoire, a young trans judoka, reaches the finals of a local competition, her opponent Sonia refuses to face her. A confrontation that transcends sport, questioning prejudice, courage, and the right to simply exist.