QUEER AS PUNK

Short

Vivek navigates the chronic pain caused by the pressures of advocating for diversity, finding healing and strength through weightlifting.

FeatureVIRTUAL EXCLUSIVE

DANISH • FRENCH ST | With In Ashes, writer-director Ludvig Christian Næsted Poulsen grippingly toys with genre. He inflects one Danish collegian’s immersion in frantic hook-up culture amidst a relationship mysteriously ended with elements of psychological horror and the tension of a spy thriller. In 2017 Copenhagen, baby-faced Christian (Rex Leonard, a nervy knockout) is glued to his camera, determined to capture every giddy moment he spends with his long-distance boyfriend Aske (Lior Cohen). Flash forward to 2022 Aarhus, “the most wonderful city in the world,” and a scruffier Christian seems less than content. He interrogates his schoolmate’s perspective and confronts strangers over assumed slights. He’s plagued by an unspoken ailment. And Aske seems nowhere to be found. With each empty tryst, each hungrily inhaled cigarette, Christian descends into a type of madness. Or is it clarity? Aske’s reappearance, arriving with the jolt of a jump scare, may hold the key to that question, as desperation congeals into starry-eyed determination. For those drawn in by the enigmatic pull of All of Us Strangers, In Ashes will have you guessing ‘is this a romance or a tragedy’ until the very last second—perhaps, even, long after.

Feature

Cass (Asia Kate Dillon, Billions) is a millennial gig worker, traversing the streetscapes of San Francisco by scooter, on the hustle to make ends meet, when a chance encounter with an intriguing coworker sets them on an inward journey of healing and self-discovery. Originally from Michigan–strong, silent and dependable Cass now lives in the Outer Sunset region of San Francisco (aka the Outerlands), a neighbourhood brushed by gentrification. Though they shy away from connection—their loneliness captured by quiet, camera close-ups—Cass soon becomes visible to Denise (Lea DeLaria), a compassionate bank teller who begins doling out advice, not only on landlord subterfuge, but also queer survival. As Cass continues to tread the tightrope of social and economic displacement–working as a nanny, a server, and even selling drugs–they are left wanting after a one night stand with Kalli (Louisa Krause), their desire for connection met with another gig opportunity: babysitting Kalli’s eleven-year-old daughter, Ari (Ridley Asha Bateman). Eventually bonding with Ari over video games, Cass battles long-forgotten, inner demons, but not without gaining the hope that home—though a place they can never return to—can perhaps be a place that they build for themselves.

Short

Exploring gender identity and societal expectations, the film follows non-binary lesbians navigating acceptance, cultural pressures, and homophobia. Through dance and costumes as symbols of liberation, it celebrates diverse identities, challenges societal norms, and portrays the ongoing quest for selfhood and recognition of varied gender expressions.

Short

Sam's search for identity is interrupted by a mysterious neighborhood fox. Together, they embark on a magical journey to the attic, discovering unexpected commonalities and how to celebrate their differences.

FeatureVIRTUAL EXCLUSIVE

Karun, a kindly border guard, finds himself in “paradise” among Bandipora’s soaring peaks, though religious and cultural resentments simmer and scald. Jolted by Faheem’s gorgeous face revealed from behind a helmet visor, Karun is drawn into a romance with indelible repercussions in this first queer film in the Kashmiri language. Wooed by an apple and a warm ripple of attraction each time Faheem (a subtle yet potent Mir Tawseef) passes his checkpoint, Karun (Akash Unnimenon) ventures into Gurez to seek out further encounters. Gurez, a remote Kashmiri village near the border between India and Pakistan, speaks with the voice of soft lullabies and bleating sheep, of a flowing river indifferent to divisions, though that tranquility is soon replaced by distant gunfire. Determined to drop the veil of shame that partitions their lives, Faheem and Karun’s restless hearts pine for one another from a distance, the two praying to separate deities but sharing an equal desire. Wanting, so passionately, to be one. When terrorist infiltrators and a homegrown street gang make a volatile situation worse, can love bind as society breaks?

Short

In the near future, Dove, a gender fluid person, discovers the powers and perils of their Inkwo (Indigenous medicine) while defending the living against a horde of ravenous monsters, testing their courage, resilience, and connection to the Earth.

Short

A masculine-presenting young woman travels back to her rural hometown to care for her estranged father, a former rancher, after a car accident. She soon realizes that mending their relationship is complicated when her sense of identity challenges her father's understanding.

FeatureVIRTUAL EXCLUSIVE

FRENCH + FLEMISH • ENGLISH ST | Fifteen-year-old Malou is a competitive rower living in a tiny Belgian village with her brothers and divorced mother. A shy tomboy, Malou’s teammates bully her for her non-conforming gender identity, but she’s accepted by her brother Max—until he finds himself in competition with her over his girlfriend Nouria. Skiff is the sweet sixteen and summer fling story that we have been waiting for. Forget cars, pink dresses, and pining over boys—how about scooters, polo shirts, and … falling for your brother’s girlfriend? Director Cecilia Verheyden delivers a poignant coming-of-age story about first love with its many risks and dilemmas, on top of questioning sexuality and gender identity while dealing with a familial love triangle and a sense of social alienation. Though lighthearted with plenty of laughs, especially for the oblivious heteronormativity of small-town life, Skiff is a film that moves you, makes you remember, shows you how despite all of the world’s social progress of the twenty-first century, some things never change—gender will always define who we are and our humanity. It is anything but trivial. Also, the importance of a young person’s right to define their gender for themselves.

Feature

Azad is a transman and aspiring film student who lives discreetly, but happily, with his girlfriend Nora in Iran’s bustling capital, Tehran. After the long and grueling process of acquiring gender affirming care, one last step stands in Azad’s way of medically transitioning–a signature of consent from his estranged father. Farnoosh Samadi presents the heart-wrenching tale of young love strained under the confines of social oppression, where sumptuary legislation enforces dress codes and women can be subjected to ‘virginity tests.’ Even darker shadows lurk beneath the stunning scenery of the remote Iranian village where Azad hails from–a place he is no longer welcome for bringing shame to his conservative and superstitious family simply by being himself. Plagued by strange premonitions, in intermittent and surreal dream sequences, Nora soon finds herself suspicious of her partner’s true whereabouts when Azad suddenly goes missing and his family insists that he has returned to Tehran without her. A slow burn that eventually heats up with riveting intensity, Between Dreams and Hope tells a remarkable story of strength, courage, and resilience that leaves a profound and lasting impression long after the credits have rolled.