La première marche (No Contest)

Short

On his way to a rave in the Argentine Pampas, Martín takes refuge in a mysterious tavern after a strange accident. As night falls, paranoia and eerie visions blur reality, revealing lurking supernatural forces.

Short

Every day, Achraf is haunted by an imposing knight’s armor that follows him everywhere: to work, with friends, and even onstage as a drag king. Invisible to others, the armor grows harder to ignore, reflecting the pressures, fears, and inner battles that quietly shape his life.

Short

Determined to prove to his father that he is the city's most feared gangster, Alessandro sets out to rob a bar with his friend Joe. However, when they discover that it is a drag queen bar and that the star performer is Alessandro's father in drag, the night takes an unexpected turn.

Short

A court, a cell, awaiting a sentence. Two boys : Warda, a Lebanese refugee and Ange, a white delinquent. An attempted escape in the toilets sparks a manhunt, and the two fugitives, despite their different languages, try to imagine their fate together.

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Trans women boxers share their stories of gender euphoria, struggles, and resilience, revealing the powerful bonds they build through their shared practice of the sport.

Short

Najib, a reserved 16-year-old, spends his summer alone, absorbed in video games. When his elderly Algerian neighbor disappears, he secretly takes her apartment keys and uncovers traces of a vanished world. Through this quiet exploration, he begins to open himself to others and to islands on the verge of disappearing.

FeatureVIRTUAL EXCLUSIVE

DANISH • ENGLISH ST | With In Ashes, writer-director Ludvig Christian Næsted Poulsen grippingly toys with genre. He inflects one Danish collegian’s immersion in frantic hook-up culture amidst a relationship mysteriously ended with elements of psychological horror and the tension of a spy thriller. In 2017 Copenhagen, baby-faced Christian (Rex Leonard, a nervy knockout) is glued to his camera, determined to capture every giddy moment he spends with his long-distance boyfriend Aske (Lior Cohen). Flash forward to 2022 Aarhus, “the most wonderful city in the world,” and a scruffier Christian seems less than content. He interrogates his schoolmate’s perspective and confronts strangers over assumed slights. He’s plagued by an unspoken ailment. And Aske seems nowhere to be found. With each empty tryst, each hungrily inhaled cigarette, Christian descends into a type of madness. Or is it clarity? Aske’s reappearance, arriving with the jolt of a jump scare, may hold the key to that question, as desperation congeals into starry-eyed determination. For those drawn in by the enigmatic pull of All of Us Strangers, In Ashes will have you guessing ‘is this a romance or a tragedy’ until the very last second—perhaps, even, long after.

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In a dystopian future, two women flee exploitation and find love in a remote cabin, only to face relentless pursuit and a tragic fate.

Short

Black. Brown. Trans. Cis. Queer. Immigrant. Full Bodied. Embodied. Femme. A conversation with women from Toronto's ballroom scene exploring the intersections of identity and how they channel the presence and power of womanism on the runway.

Feature

Seaside La Ciotat, its cicadas droning, is a far cry from the battlefields of Ukraine. A distance that vexes 16-year-old Enzo, who is drowning in ennui. Drawn to danger, cavalier about consequences, he is convinced a dashing Ukrainian bricklayer is his ticket to a more audacious future. Enzo (Eloy Pohu) makes for an irksome masonry apprentice: he slacks off, scoffing at superiors. He seems engineered for his privileged life at his parents’ hillside villa, cooling off in the pool under an unrelenting sun. But, he bucks his parents’ high aspirations and boss’ low expectations, determined to be part of something that lasts. Equally determined to insinuate himself into the trajectory of his 20-something colleague, Vlad (Maksym Slivinskyi). While Enzo must debate which vacation to take, Vlad is torn epically between a newfound Frenchness and wartorn Ukraine. Vlad becoming a romantic and narrative ideal Enzo will do anything to attain. Dying in the midst of Enzo’s creation, auteur Laurent Cantet passed the baton to longtime collaborator Robin Campillo (120 BPM), who encapsulates the fascinating ambiguities of sexuality, class anxiety, and valour. Situating them amongst the half-built shelters and ineffable ruins of our time.

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The protean central character of Queerpanorama has built a sex life for himself as an unreliable narrator. Curious about Hong Kong’s international tourists and struggling immigrants, this native Hongkonger briefly infiltrates their bubbles in the guise of other men he has bedded. In an open relationship with an American boyfriend—who, like his other writerly conjurings, may or may not exist—the anonymous ‘I’ (Jayden Cheung) uses his freedom to educate himself on the “complicated universe.” From vast urban spaces to remote beaches, and many a quiet restaurant and architectural marvel in between, ‘I’ bumps up against vastly different lifestyles and circumstances. Copulating and conversing with men who, like him, are searching for grounding or simply to lose themselves. For everyone seems to have reasons to be someone else—even if just for the length of their next encounter. Actor-turned-writer-director Jun Li renders his sexual odyssey in silky black and white, lending its contemporary subject matter a timeless, heightened air. With the noirish romanticism of In the Mood for Love and the beautifully framed melancholy of Lost in Translation, he depicts shifting ideas of normalcy and the burdens we bear or share.

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In the near future, Dove, a gender fluid person, discovers the powers and perils of their Inkwo (Indigenous medicine) while defending the living against a horde of ravenous monsters, testing their courage, resilience, and connection to the Earth.

Documentary

In Muslim-majority Malaysia, a queer punk band led by a transman are outliers of the system —carving out spaces to exist through their music while challenging conservative traditions and religious extremism. Brash, defiant and wickedly funny, punk rockers Shh…Diam! are an underground sensation in Kuala Lumpur. An all-queer band led by charismatic trans man Farris Saad, they’ve won devoted fans with playful anthems like “I Woke Up Gay” and “Lonely Lesbian.” Even their name (“Shut up!” in Malay) is a joke, poking fun at those who’d rather queer folks just kept quiet. Malaysia’s harsh laws are no laughing matter, however, and they put Farris and his bandmates at real risk of state persecution. Filming over six years, director Yihwen Chen follows them to practices, gigs and protests, capturing their irreverent advocacy amid a spate of anti-LGBTQ+ raids and arrests. She also documents major developments in their personal lives and relationships, including Farris’s preparations for his surgical transition. Both an iconic portrait of fearless activism and an intimate chronicle of chosen family, Queer as Punk is an instant entry in the queer cult canon.

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CROATIAN • ENGLISH ST | Marko, slight but mighty, seems always in control, always a champion—but what happens when he slips his banks? As “unstable air” portends torrential rains for a small Croatian village, the return of Marko’s former neighbour is the rush that might pull him under. Marko (Lav Novosel in a natural, understated performance) has a full life: a brother with Down syndrome (Leon Grgić) who he treats with a soft attentiveness; learning discipline from his father (Filip Šovagović) in the lead up to an arm-wrestling competition; chanting about female anatomy with his buds before pestering his girlfriend Petra (Franka Mikolaci) for sex. But there’s another side to his even-keeled bravado. For, as he tells his brother in the guise of a story, “the boy and the bunny” were once “inseparable,” with a secret hiding place of their own. And now that “bunny” is back. Home from cosmopolitan Berlin for his father’s funeral, Slaven (Andrija Žunac) catches Marko off guard. Despite training constantly as if to outrun his feelings, Marko returns again and again to the river, again and again to Slaven. An imported joint is shared, affections are renewed, and temperatures—and waters—rise.

Short

Trans women boxers share their stories of gender euphoria, struggles, and resilience, revealing the powerful bonds they build through their shared practice of the sport.

Feature

Azad is a transman and aspiring film student who lives discreetly, but happily, with his girlfriend Nora in Iran’s bustling capital, Tehran. After the long and grueling process of acquiring gender affirming care, one last step stands in Azad’s way of medically transitioning–a signature of consent from his estranged father. Farnoosh Samadi presents the heart-wrenching tale of young love strained under the confines of social oppression, where sumptuary legislation enforces dress codes and women can be subjected to ‘virginity tests.’ Even darker shadows lurk beneath the stunning scenery of the remote Iranian village where Azad hails from–a place he is no longer welcome for bringing shame to his conservative and superstitious family simply by being himself. Plagued by strange premonitions, in intermittent and surreal dream sequences, Nora soon finds herself suspicious of her partner’s true whereabouts when Azad suddenly goes missing and his family insists that he has returned to Tehran without her. A slow burn that eventually heats up with riveting intensity, Between Dreams and Hope tells a remarkable story of strength, courage, and resilience that leaves a profound and lasting impression long after the credits have rolled.