Triple axxxel

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say my names is a video that answers a frequently asked question...'but what is your name... really?' or 'but how do you want me to call you... which name?' So, after a few years of thinking, here is my answer in 100 words/100 second video.

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An artist’s attempt to recreate experimental filmmaker Chris Marker’s Sans Soleil from memory. Working from fragments, the film weaves together into an engrossing narrative. It follows patterns of thought through material such as Alfred Hitchcock’s Vertigo, WG Sebald’s The Rings of Saturn, Virginia Woolf’s The Waves, and combines it with personal, intimate footage, images of the Welsh landscape, San Francisco, and of course, Chris Marker’s favourite animal.

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Chants d’amours is a powerful video work based on the appropriation of homophobic and transphobic slurs. By reinterpreting them, Lamathilde and her LGBTQ+ friends from Montreal transform stigma into poetic and political resistance, hoping to inspire more love, dignity, and resilience through words.

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Madonna Swimming is a video work created from footage of Madonna's music videos, Madonna is a cultural figure of excess, and her iconography appropriated from a saturated visual culture. This video collects the leaking Madonna, her images of sexuality and religion, and ultimately presents a more ambiguous product.

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The Bathroom Tapes: My Man is the first in a series of music videos shot entirely in the rooms of my apartment. Interested in domestic containment, nesting, and home-sweet-home comfort, these tapes play with aspects of domesticity through role-playing and denial in a self-constructed fantasy world that isn’t always pleasant.

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Disadoption challenges the plurality of the mother and father in adoption and asks whether it is possible to cancel an adoption or 'disadopt'. The artist transforms the lyrics of 'Twinkle Twinkle Little Star' learned by children in nursery school. The wonder of looking at the little star is converted into the surprise of a rumor told by the adoption agency.

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Media performance artist Dayna McLeod asked ChatGPT to write an increasingly snarky and heated dialogue between Roland Barthes and Michel Foucault about The Death of the Author, inspired by Barthes' famous essay. This script is performed by AI actors of the theorists, with Dayna’s AI doppelgänger, DaynAI, acting as host to their debate.

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After the 100th 'The Thursday Testo,' (TTT), the tri-linguistic references such as the Roman and Korean (Hangeul) alphabets and the Japanese syllabic (Katana) alphabet of the word TRANS on a comedy sketch by Kě.

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Snarling beasts.

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A sometimes-eerie romp through the mysterious life of Ponygirl, superhero of the night. Ponygirl has special powers, extra-ordinary props and a unique way of moving through the world. Will poignancy and humor prevail?

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In a city where victims of colonial history and dominant narratives intersect, a voice begins to examine the erasure of women and minorities. Between “win,” « nip », and « egg », she plays with words and identities, scrutinizing the violence of bodies and discourse—a fragile and political visual gesture.

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I watch tv so you don't have to. Like the short description summaries that often accompany tv programs though an on-screen cable guide, Don't Ask Don't Tell Gay, Gay, Gay is a jump-cut/short-cut edit that summarizes the content of Season 4, episode 4 of Boston Legal. All excess footage has been removed to capture the mainstream reflection and tone of American discourse around DADT.

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A remix of sounds and images from the Prelinger Archives that feature fashion trends.

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In this short horror-comedy film, two grieving drag queens are mourning the sudden loss of their beloved Drag Mother. While going over her things they stumble upon a mysterious VHS tape. As they press play; a chilling silhouette emerges, sparking an unexpected chain of events for the duo.

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Hiko, 11, runs away from a neighborhood party after a disagreement with his mother over his refusal to wear makeup. He stumbles upon a mysterious circus tent, where an unexpected encounter reshapes his perception of himself. This magical adventure compels him to face his choices and explore his own identity.

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Camille, at the bar, is in the process of reflecting on its identity. It feels cornered by its work, social norms and external expectations. But a dance performance combining drag artists, circassian.ne. s and other performeur.se. will shake its thinking: it is taken. By this new world that will allow it to drop its mask and discover itself personally.

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As detective Evelyn Dubois arrests gangster Billy “the Devil” Dwayne, he gets shot in front of her. In her office with a blood stained shirt, a knock is heard on the door... Her client Liliane Wang comes to confirm the rumours circulating in town. But did she really come only for this reason?

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“Stubble” is an experimental documentary, in which Emma asks people when do you wish to be soft, when do you long to be rough, and when are you both at the same time? Each scene is a fantasy the subjects are invited to play inside. While interviewees’ honest answers offer glimpses into their own inner worlds and contrasting experiences. Merging both the real life and staged aspects of the film.

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The director revisits a pivotal period of his life, marked by frequent one-night stands. By exploring the complexities of his sexual orientation and the dynamics of his interpersonal relationships, the film immerses us in the era of hook-ups, where fleeting intimacy and the search for identity intertwine.

FeatureVIRTUAL EXCLUSIVE

“Ladies and well … gender is a spectrum.” Eddie Starwalker aka Star (Dillan Chiblow) is an Oji-Cree call boy whose life takes a fateful turn when he meets handsome Levi (Jeffrey Michael Follis), then watches his drag show at the House of Borealis, awakening the call to his two-spirit identity. Corey Payette’s musical delivers dynamic performances with Indigenous storytelling and drumming songs craftfully weaved among themes of queer joy, resilience, and self-determination. Contrasted by the rainy climate and industrial scenes of East Vancouver, the campy magic of the fictional drag club—run by Mother Borealis (Stewart Adam McKensy)—burns bright with punchy numbers featuring its star, Star, learning how to apply make-up and shop for dresses, proud despite the scornful gaze of shopkeepers. Then, the stage lights give way to some of the darker shadows of drag life—from addiction, to backstage rivalry, to discrimination from the health care system—as tragedy strikes Star’s newfound home and he begins to collapse under the pressure. Faced with his past—namely, the trauma of racism—Star longs to reconnect with his roots, and also to learn, for the first time, what it means to show up for family.

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By opening forgotten boxes in the Montreal Gay Archive Center, fragments of history from the LGBTQIA2S+ community are rediscovered. Among them are Michael and René, the first gay couple to get married in Canada, Linda and Catherine, two owners of the lesbian bar Le Kiev, and Kimura, multidisciplinary artists of diverse origins. The portraits of these diverse characters bear witness to the diversity of Montreal's queer communities.

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An exploration of Canadian photographer John Phillips’ erotic archive, chronicling the impact of AIDS on his life and work for American gay magazines in the 1990s, at the dawn of the digital revolution. An intimate portrait of an artist and an industry on the verge of transformation.

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The dangers of the past come in many forms. Two estranged Mi’kmaw siblings confront old animosities in an ancient forest, both in desperate need of healing. In their quest to rid themselves of the lingering evil that haunts them, they encounter the trail of their ancestors—and of their former selves. Mise’l (Blake Alec Miranda) is working a grueling shift when the jukebox warbles to life and an ominous presence from their childhood reveals itself, still capable of inflicting its wounds. Desperate, they seek out their younger brother, Antle (Forrest Goodluck). A task that requires them to part from their supportive partner and return home after many years away. Begrudgingly, their brother agrees to the journey, worried for his daughter’s safety if he does nothing, and they set out on a time-spanning mission. Elders are consulted. Strange creatures stalk them. Kinship is tested. The two heading deeper and deeper into nature at its most nurturing, and most menacing. From Bretten Hannam, the Two-Spirit L'nu filmmaker behind 2021’s acclaimed Wildhood (Opening Film I+N34, 2021), this is a ghost story of the highest order—equal parts eerie and edifying, and utterly unforgettable.