LA RAFLE DU TRUXX – 22 OCTOBRE 1977                  

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Interview with Denis B. Lapointe (formerly known as Denis Levesque) about the associative movement of the gay community in Montreal — among others, at the ADGQ — during the years leading to the establishment of what was first called Le Village de l’Est (in contrast to the gay bar sector west of downtown), then Le Village gai, and now simply Le Village. The third of the documentary series L'émergence du Village gai.

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Interview with Gregory Rowe, who came from Western Canada to settle in Montreal in 1983. In addition to his comments on his experience in the English-speaking part of the gay movement, he gives a poignant account of his resilience in the face of the HIV crisis (which he has been carrying for 37 years), and his involvement in organizations that support HIV-positive people.

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Madonna Swimming is a video work created from footage of Madonna's music videos, Madonna is a cultural figure of excess, and her iconography appropriated from a saturated visual culture. This video collects the leaking Madonna, her images of sexuality and religion, and ultimately presents a more ambiguous product.

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The filmmaker, starting a documentary research, interviews clients from the Champs bar to understand the importance of lesbo-queer bars for the community.

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“Stubble” is an experimental documentary, in which Emma asks people when do you wish to be soft, when do you long to be rough, and when are you both at the same time? Each scene is a fantasy the subjects are invited to play inside. While interviewees’ honest answers offer glimpses into their own inner worlds and contrasting experiences. Merging both the real life and staged aspects of the film.

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Disadoption challenges the plurality of the mother and father in adoption and asks whether it is possible to cancel an adoption or 'disadopt'. The artist transforms the lyrics of 'Twinkle Twinkle Little Star' learned by children in nursery school. The wonder of looking at the little star is converted into the surprise of a rumor told by the adoption agency.

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An exploration of Canadian photographer John Phillips’ erotic archive, chronicling the impact of AIDS on his life and work for American gay magazines in the 1990s, at the dawn of the digital revolution. An intimate portrait of an artist and an industry on the verge of transformation.

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Burlesque, a student documentary exploring the world of burlesque as a space for artistic expression and personal liberation, where performers channel their creativity and sensuality. Through their voices, they speak about the power of the stage to reconnect with their bodies and establish a deep connection with the audience. Burlesque is presented as a feminist, inclusive, and supportive environment, celebrating gender and body diversity. The action takes place at the Wiggle Room, located in Montreal. It is the only burlesque cabaret in Canada, known for its warm atmosphere and strong sense of community.

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The director revisits a pivotal period of his life, marked by frequent one-night stands. By exploring the complexities of his sexual orientation and the dynamics of his interpersonal relationships, the film immerses us in the era of hook-ups, where fleeting intimacy and the search for identity intertwine.

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Interview with Gregory Rowe, who came from Western Canada to settle in Montreal in 1983. In addition to his comments on his experience in the English-speaking part of the gay movement, he gives a poignant account of his resilience in the face of the HIV crisis (which he has been carrying for 37 years), and his involvement in organizations that support HIV-positive people.

FeatureVIRTUAL EXCLUSIVE

“Ladies and well … gender is a spectrum.” Eddie Starwalker aka Star (Dillan Chiblow) is an Oji-Cree call boy whose life takes a fateful turn when he meets handsome Levi (Jeffrey Michael Follis), then watches his drag show at the House of Borealis, awakening the call to his two-spirit identity. Corey Payette’s musical delivers dynamic performances with Indigenous storytelling and drumming songs craftfully weaved among themes of queer joy, resilience, and self-determination. Contrasted by the rainy climate and industrial scenes of East Vancouver, the campy magic of the fictional drag club—run by Mother Borealis (Stewart Adam McKensy)—burns bright with punchy numbers featuring its star, Star, learning how to apply make-up and shop for dresses, proud despite the scornful gaze of shopkeepers. Then, the stage lights give way to some of the darker shadows of drag life—from addiction, to backstage rivalry, to discrimination from the health care system—as tragedy strikes Star’s newfound home and he begins to collapse under the pressure. Faced with his past—namely, the trauma of racism—Star longs to reconnect with his roots, and also to learn, for the first time, what it means to show up for family.

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Camille, at the bar, is in the process of reflecting on its identity. It feels cornered by its work, social norms and external expectations. But a dance performance combining drag artists, circassian.ne. s and other performeur.se. will shake its thinking: it is taken. By this new world that will allow it to drop its mask and discover itself personally.