The Kitchen Sink

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Infamous outlaws The Lily and The Scorpion are on the run after a bank job gone wrong, but as day turns into night, the partners’ trust in each other begins to fray.

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A young woman and her friend are led to a metamorphic realization when they ponder the nature of dreams.

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After deciding to do a Muay Thai competition, a timid, mid-20s Filipino-Canadian woman must train in secret and go against her strict parents, while also falling in love with her coach, who is also a woman.

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A woman turning 30 impulsively gives herself a dramatic haircut moments before hosting her birthday dinner, and it’s fine—it’s totally fine! Bangs is a paranoia-fueled comedy about one woman’s need for recognition and what happens when that recognition never comes.

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A young trans man returns to his family’s farm in rural southern Ontario following his grandfather’s death, and must navigate the discomforts of familial rural life with his father.

FeatureVIRTUAL EXCLUSIVE

This homage to Bollywood spectacle and intergenerational bonds is a time-hopping, candy-coloured crowd pleaser that induces huge smiles and big laughs while also tackling the resonant themes of enforced gender roles, passive racism, and the seismic shifts of growing up. Azra (a stunning Amrit Kaur) lives in cohabitating sexual bliss with her girlfriend in Toronto in the VHS-popping 90s when she receives news of her father’s death. One voltaic match cut later and she’s on a plane for the funeral in Pakistan with her brother (Ali A. Kazmi), where her mother (Ms. Marvel’s Nimra Bucha) nitpicks and her culture shuts her out of the mourning process. Then another and we’re in 1969 Karachi, swept up in the whirlwind romance of Azra’s rule-breaking mother (also played by Amrit Kaur, underscoring mother-daughter parallels) and dashing father (Hamza Haq) before their tough transition to 1989 Nova Scotia. Each temporal hop peeling back another layer of how Azra’s family dynamic came to be. The Queen of My Dreams is itself a moviegoer’s dream, chock-full of eye-popping visuals, high production value, and fantastic fashion. Revealing how salvation can come in unlikely ways from unlikely sources.

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After the 100th 'The Thursday Testo,' (TTT), the tri-languistical references such as the Roman and Korean (Hangeul) alphabets and the Japanese syllabic (Katana) alphabet of the word TRANS on a comedy sketch by Kě.

DocumentaryVIRTUAL EXCLUSIVE

FREE ENTRANCE TO THE CINEMA // FREE SCREENING! conversation with Julien Cadieux at 18h15 FOR FREE ONLINE SCREENINGS, send a request to information@image-nation.org - a code will be sent to you. Thank you for your interest! // Acadian director Julien Cadieux trains his ingenious eye on Samuel LeBlanc, a trans musician in the band Écarlate, as Samuel travels across the Acadian region of the Maritimes, informing youth, paying homage to singer-songwriter Angèle Arsenault, and rubbing elbows with a surfeit of queer talent in this one-of-a-kind musical documentary. Gender dysphoria; rediscovering one’s indigenous culture; the inclusive, non-binary poetry of Chiac: a lot of crucial subjects are handled in exuberant, entertaining ways as Samuel confronts queer Acadians’ heartstopping lows and revels in their joyous highs, bearing witness to the region’s heartening cultural shifts. You will meet everyone from an asexual biromantic teacher to two viral drag superstars. So, come hop aboard a tractor, lobster boat, or hot air balloon. There are stories to hear and musical numbers to move you—mind and body—as the film delivers on the promise that “being unique doesn’t depend on the size of your wallet.” With the mesmerizing exactitude of Wes Anderson and a palette that gives the pastels of Barbie a run for their money, Julien Cadieux offers up a lively fantasy grounded in Acadian culture and history, then and most certainly now. Also in this programme: NOUS PARTIRONS JULIEN CADIEUX | CANADA | 2023 | 8 MIN | FRENCH Gilbert Mhanna is a queer Lebanese artist based in Toronto. His art is baladi, a dance traditionally reserved for cis women. Together, we'll explore the relationship of his Araboqueer body to this Canadian space. How does this country continue to flow through their veins?

Feature

Jorge is tousled and handsome, seemingly carefree, shouldering changes with cheerful resignation. But after his sudden death, his young mother and best friend, Carmen, is left grief-stricken, forced to reckon with the veracity of her son’s life, including his two lovers—one female, one male—left wondering why he’s ghosted them. At first, Carmen (Ludwika Paleta) refuses all comforts in the wake of her son’s death, cared for, despite her protests, by her kindly queer brother (Darío Rocas). Then, she goes digging. According to Jorge’s estranged father (Luis Velazquez), Jorge (Nicolás Haza) was depressed shortly before he drowned in the sea. Is this true—if so, why? And is this enough to prove his death was intentional? The search for answers will acquaint Carmen with Jorge’s jilted girlfriend (Adriana Palafox) and lovesick boyfriend (Alan Oliva), and reconcile her with a passion for music that hounds her even when she tries to leave it behind. In this expertly crafted tearjerker, writer-director Sofía Gómez-Córdova uses seamless flashbacks and home videos of happier times to reveal who the characters were. And Ludwika Paleta’s blistering performance-of-a-lifetime shows us who Carmen may be in the Thereafter.

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A short queer history of violent police raids on queer bars between the 70s and 2000s, and the rise of LGBTQ+ communities fighting back. Tribute to Joe Rose.

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A middle aged trans man transitions at 44 and observes his changes over a year and nine months, with a looming ongoing news cycle of anti-trans legislation.

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Cole, a resilient transgender man, navigates his coming out journey within the confines of an all-girls school, while his mother confronts her own emotional struggles. Together, they learn to push societal norms and embrace the power of acceptance.

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One day this kid will feel something stir in his heart and throat and mouth. One day this kid will reach a point where he senses a division that isn’t mathematical. One day this kid will talk.

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A possessive doctor prepares an ostensibly romantic bath for his narcissistic boyfriend, but after an accusation of infidelity, things take a deeply disturbing turn.

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EXT. DAY - A sunny Sunday morning on a café terrace: Isabelle, an actor whose career is in a rut, meets Johanne, her agent, who might have a new part for her. Tension mounts both at the table and in the surroundings. Will expectations be met?