
GLENN WOOD | CANADA | 2026 | 96 MIN | ENGLISH
GLENN WOOD | CANADA | 2026 | 96 MIN | ENGLISH
Christine, Alexander, and Stéphane are a polyamorous, bisexual throuple who live in downtown Toronto. Before long, their unconventional relationship with its ever-shifting dynamics, is threatened by the heteronormative foils of marriage and pregnancy. Can the three of them stand stronger than two would be able to? Glenn Wood presents a film that looks at alternative relationships in a novel way. I Come Home is tender and fearless in its portrayal of the fragility of human relationships, with support, loyalty, and communication—all required three-fold for this queer polyamorous couple—working hard to outweigh the judgementalness of conventional society. An invitation to Christine’s sister’s wedding, in her small hometown nearby, then puts the three to the ultimate test as they navigate an environment that (barely) tolerates their lifestyle. Questions of parenthood and accountability also come into play alongside the cold shoulder treatment that eventually erupts into outbursts of long-held resentments. In the aftermath, and all throughout the film, bird’s-eye view angles capture quiet moments of ‘coming home’ to oneself, and to one another in the enduring acts of choosing, trusting, and showing up.
Glen Wood is a Toronto-based independent filmmaker and producer with extensive experience in the Canadian film industry. His work spans development, production, financing and distribution, with a focus on bringing projects from conception to market. As a producer, his credits include Wakening (2013), Two in One (2014) and The Dark Stranger (2015). He also directed the short film Self Portrait (2023). I Come Home (2026) is among his latest projects.
Andreas Vatiliotou and Glen Wood initially conceived I Come Home as an optimistic exploration of polyamory and a form of family rarely represented onscreen without judgment. As the project evolved, they became less interested in whether polyamory itself was sustainable than in what makes any relationship endure. Communication, trust and affection became central, alongside the harder task of accepting what a partner cannot be or provide. Ultimately, they wanted the film to suggest that relationships are not defined by their configuration, but by how people respond to disappointment, forgive one another and continue showing up for those they love.
Jordan Hayes, Glen Wood
Andreas Vatiliotou
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