
ANDREW HAIG | CANADA + UNITED KINGDOM | 2026 | 117 MIN | ENGLISH
ANDREW HAIG | CANADA + UNITED KINGDOM | 2026 | 117 MIN | ENGLISH
Superstar director Andrew Haigh (Weekend, I+N24) adapts Colm Tóibín’s beloved, 1950s-set novella about a savage snowstorm that strikes a dead-end mountain town, a troubled mother who goes missing, and a son dedicated to her retrieval. This seemingly unchangeable saviour fathoming that not even tragedy can stop one’s evolving desires. When the investigation cools on the disappearance of his mother (Caitríona Balfe), Mike (The White Lotus’ Fred Hechinger) must supersede his aggrieved father (Marvel stalwart Ebon Moss-Bachrach in a heartrending performance). Can her departure be chalked up to alcoholic cravings? A death wish? An escape? And has she somehow withstood the ravages of winter or, come spring, will she emerge from beneath the snow? A blizzard of questions consumes Mike until the arrival of an industrious stranger (Reservation Dogs’ D’Pharaoh Woon-A-Tai) cuts through the white noise. The talented leads are joined by a stacked cast that includes Heartstopper’s Kit Connor and The Hobbit himself Martin Freeman. Shot in the Canadian Rockies, the film has the sublime, towering splendour of Albert Bierstadt’s Romantic landscapes. The grandeur humanized by Haigh’s ability to wring subtleties from every gesture in this ever-shifting character study.
Andrew Haigh is an award-winning British writer-director known for intimate, character-driven dramas. He first gained widespread recognition with Weekend (2011), followed by 45 Years (2015), Lean on Pete (2017) and All of Us Strangers (2023), which received six BAFTA nominations. He also created and directed episodes of HBO's Looking and wrote and directed the BBC miniseries The North Water. His work has been widely acclaimed for its emotional precision and nuanced exploration of relationships, identity and desire. A Long Winter is his latest feature film.
Andrew Haigh wanted A Long Winter to invite audiences into its world and allow them to experience it through its own rhythms. He conceived Mike's journey as a gradual opening: as the character begins to embrace the landscape around him, he also comes to understand his inner world more fully. Visually, Haigh wanted the camera to follow that awakening and slowly begin to "breathe" and expand. Rather than creating a conventional 1950s period piece, he sought a dreamlike world that felt real but slightly removed from reality. He also wanted to portray queerness as something broader than sexual desire.
Tristan Goligher, Chad Oakes, Michael Frislev, Michael Elliott
Andrew Haigh
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