Image+Nation
Sweet Angel Baby

Sweet Angel Baby

MELANIE OATES | CANADA | 2024 | 96 MIN | ENGLISH FST

MELANIE OATES | CANADA | 2024 | 96 MIN | ENGLISH FST

FeatureMADE AU CANADACOMPETITIONZEITGEIST

Presented by

Telefilm Canada

Synopsis

Small towns are no place for secrets. Among the churchgoing folk of a Newfoundland fishing village, Eliza leads a double-life: exploring transgressive photography while managing an unspoken romance with a shunned woman and the insistent advances of a married man. Hearsay only two steps behind. Sneaking around the neighbours, Eliza (Michaela Kurimsky) stages increasingly revealing photoshoots in locations both remote and close to home—perhaps too close. With every new post to her 318K Instagram followers, she imperils the careful balance she’s cultivated between her coexistence with fellow villagers, her burgeoning romance with Toni (Elle-Máijá Tailfeathers), and the married man (Peter Mooney) whose desire for her titillates as much as it terrifies. As a church fundraiser she’s helping to organize approaches, so too does a blaze of gossip, and choices are made that could leave her forever shattered. By turns kinky and kind-hearted, Melanie Oates’ second feature explores our wildest selves with a complexity that continues to deepen through to the final striking frame. All the while, embodying a true sense of place, depicting the rough shores and spirited personalities of one of the most isolated—and spectacular—of Canadian locales.

Trailer

Filmmaker Bio

Melanie Oates is a writer, director, producer, and costume designer based in St John’s. She’s made several short films as well as the series The Manor (2016). She made her feature debut with BODY AND BONES (2019) and was a resident at the TIFF Filmmaker Lab in 2022. SWEET ANGEL BABY (2024) is her latest film.

Producer

Chris Hatcher, Matt Power, and Melanie Oates

Writer

Melanie Oates

Cinematographer

Christopher Mabley

Cast

  • Michaela Kurimsky
  • Elle-Máijá Tailfeathers
  • and Peter Mooney
Image
Image
Image
Image
Image
Image

PARTNERS

Telefilm Canada

You might also like

PosterQueerment QuébecCompetitionShort
Queerment Québec IconCompetition Icon
Beauty is Revenge[COMPETITION]15 minutes

The filmmaker aka Tranie Tronic tells the tale of the incident that inspired their latest album Transgression and brings awareness to the potential dangers of dating men online.

PosterCompetitionFeature
Competition Icon
Baby (EN)[COMPETITION]107 minutes

PORTUGUESE • ENGLISH ST | Wellington (defiantly nicknamed Baby) trades his detention centre cell for the streets of São Paulo, absorbed into the life of an in-demand “escort” with old school methods. Torn between this erotic father figure, two chosen families, and the mother who left him, Wellington must discern which link is the strongest. Against a backdrop of corrupt cops, vengeful kingpins, and Brazilian ball culture, maybe-18-year-old Wellington (João Pedro Mariano) falls for 42-year-old sex worker cum drug dealer Ronaldo (Ricardo Teodoro), who has a son not much younger than Wellington being raised by lesbian mothers. The two share a charged, teasing bond with yo-yoing power dynamics. Wellington softens Ronaldo, schooling him in voguing’s ebullience and showing him his battle scars, while Ronaldo grounds his protege, giving him boxing lessons while doling out paternal advice and setting strict boundaries. Boundaries that Ronaldo is desperate to maintain and Wellington comes to resent when youthful potential and a biological parent draw him away. Propelled by Marcelo Caetano’s stylish direction, this gritty coming-of-age tale wrestles with themes of love and coercion, considering what’s still possible for a restless heart when a ‘baby’ becomes a man.

PosterCompetitionFeature
Competition Icon
Langue étrangère[ZEITGEIST]101 minutes

In a fraught exchange between Leipzig and Strasbourg, Fanny and Lena warm to each other while the situation around them heats up. As it gets harder to parse fact from fiction, too much trust and not enough, they look to protest movements to teach them what out-of-control adults cannot. Writer-director Claire Burger’s nuanced drama is bracingly of-the-moment, capturing topical issues with a foreboding sense of longing and imminent disaster, and inspiring fiery performances from her leads, including Nina Hoss as a mother undone. After an initially cold reception from Lena (Josefa Heinsius) when she arrives in Germany, 17-year-old Fanny (Lilith Grasmug) will do anything to ingratiate herself with her prickly pen pal. Chocolate-covered shrooms, sexual experimentation, bonding over Antifa and black bloc protest movements—each attempt at connection becomes more daring than the one before, their “Franco-German friendship” mirroring the heated clashes of our time. When the school exchange is flipped, and Lena is now the fish out of water in France, giving into the attraction sizzling under her animosity will mean coming to terms with a world tearing apart at the seams and the fantasies built up to survive it.

PosterMade au CanadaFeature
Made au Canada Icon
Really Happy Someday[MADE AU CANADA]99 minutes

Torontonian Z, a transmasculine musical theatre performer, has NYC aspirations. The testosterone he’s on has other plans. Facing unpredictable losses and the foreign feeling of his changing body, Z forges connections that reveal how, sometimes, our favourite places are those we have yet to find. Meeting at now-defunct The Beaver, Z (co-writer/producer Breton Lalama) and Danielle (Khadijah Roberts-Abdullah) are smitten. Danielle supports him as he aims for stardom, but falls short: forced to become a barback bartender at Toronto mainstay Squirly’s after a disappointing audition. There, he’s taken under the wing of his cute, charismatic boss, Santi (Xavier Lopez), who knows a lot more about what he’s going through than Z realizes. Although Z can no longer hit Éponine’s notes in Les Misérables, with the help of his vocal coach (Ali Garrison) and a “dream world” goal, he reaches for a more compatible voice. And as we watch Z retrain, we witness actor Breton Lalama do the same in real time, both coming to terms with who they are becoming. Helmed by non-binary filmmaker J Stevens, this is incisive, richly detailed cinema afforded the flow of a life lived authentically.

PosterFeatureVIRTUAL EXCLUSIVE
Light Light Light (FR)[ZEITGEIST]89 minutes

FINNISH • FRENCH ST | A 15-year-old Finnish girl—and her older incarnation—ponder the resemblance between first love and nuclear explosions under a sky heavy with Chernobyl clouds. Befriending a loner who seems radioactive to others, Mariia tries to keep their connection from melting down, basking in the light of devotion, however blinding. By-the-book Mariia (played at different ages by Rebekka Baer and Laura Birn) comes from a close-knit but struggling household, her mother affected by a mysterious cancer. Her situation is contrasted with that of self-possessed Mimi (Anni Iikkanen), whose home is blighted by alcoholism and neglect, its wallpaper peeling. But, swimming beneath crystalline surfaces and entwined in one another’s arms, they try to drown out the ills of the world. Crimped hair and oversized sweaters capturing the innocent 80s bubble Mariia thrives in and the euphoria Mimi strives to inhabit, despite the heaviness of experience. Guided by its source material, the 2011 novel by Vilja-Tuulia Huotarinen, and inflected with the shifting haze of ennui and energy that is a hallmark of Sofia Coppola’s star-dusted tragedies, Inari Niemi’s film is a tonally precise mood piece about girlhood in all its ominous, scintillating paradoxes.

PosterMade au CanadaShort
Made au Canada Icon
Répercuté[MADE AU CANADA]15 minutes

A man comes home to his lover on their anniversary expecting a romantic night of celebration only to find someone tied up in the bathroom.

PosterMade au CanadaDocumentary
Made au Canada Icon
A Mother Apart[I+N x FMC / CMF SERIES]89 minutes

LGBTQ+ activist Staceyann Chin easily identifies as a mother, poet, writer, dissenter, and truth speaker—it is the label of “daughter” that causes her the most pause. Forced to become a sleuth, she attempts to pierce the veil of secrecy around her mother’s life and come to terms with her absence. After decades pursuing “the career of lesbianism,” Chin is now hot on the trail of her mother Hazel and a more anchored sense of self. Chin travels from Brooklyn to Montreal, where Hazel lived after abandoning Chin in search of a better life, then onwards to far-flung destinations: Germany, Jamaica. Chin talks to neighbours and loved ones, piecing together the puzzle as she goes. With every clue, she is forced to confront past traumas and test the limits of forgiveness, all while caring for her daughter, with whom she famously stages “Living Room Protests” on YouTube. Tapping into the ferocity of Chin’s slam poetry and using digital collage to convey Hazel’s floral allure, director Laurie Tonwshend paints a dual portrait of motherhood. She also practices Chin’s hard-won brand of radical kindness and compassion, finding the grace in failure.

PosterQueerment QuébecCompetitionShort
Queerment Québec IconCompetition Icon
Le flou des arbres (The Blurring of Trees)[COMPETITION]11 minutes

Two incarcerated women in a secure Northern Québec forest are subjected to the hard labour of reforestation. They enjoy a little area of freedom they’ve managed to create thanks to an empathetic prison guard.

PosterCompetitionShort
Competition Icon
EKG[COMPETITION]16 minutes

Hao Ling, an Asian American emergency doctor, struggles with his guilt and fear of ruining the relationship with his father after coming out. When a patient introduces him to the gaysian party scene, Hao reconnects to his true emotions and takes actions to reunite with his father while learning valuable lessons on relationships.

PosterCompetitionDocumentary
Competition Icon
Sabbath Queen[ZEITGEIST]105 minutes

In Sandi DuBowski’s crucial, decades-spanning documentary (executive produced by Darren Aronofsky), Rabbi Amichai Lau-Lavie takes on the Orthodox regime amid escalating reactions to his experimental spirit. It will take harrowing face-to-face confrontations, heated ideological conversations, and all the Radical Faerie magic he can muster to weather the onslaught. Part of a line of rabbis stretching back to the 11th century, at age 28 Amichai left his isolated, pressurized upbringing in Israel for the freedoms of late-90s New York. In America, he joined the Radical Faeries and tapped into the feminine divine with his Rebbetzin Hadassah Gross drag persona, finding redemption through transgression, and founding the God-optional congregation Lab/Shul. Still, he encounters a wall of tradition and the pull of his familial dynasty. Enrolling to become a rabbi at the Conservative-leaning Jewish Theological Seminary, he endeavours to change the system from the inside, but soon finds himself at odds with his peers and “co-conspirators,” defending laws he once broke. Will he have the stamina and willpower to remain true to his ideals, or will his lofty goals end up quelling his radical energy and all that he means to others?

PosterQueerment QuébecCompetitionShort
Queerment Québec IconCompetition Icon
Beauty is Revenge[COMPETITION]15 minutes

The filmmaker aka Tranie Tronic tells the tale of the incident that inspired their latest album Transgression and brings awareness to the potential dangers of dating men online.

PosterCompetitionFeature
Competition Icon
Baby (EN)[COMPETITION]107 minutes

PORTUGUESE • ENGLISH ST | Wellington (defiantly nicknamed Baby) trades his detention centre cell for the streets of São Paulo, absorbed into the life of an in-demand “escort” with old school methods. Torn between this erotic father figure, two chosen families, and the mother who left him, Wellington must discern which link is the strongest. Against a backdrop of corrupt cops, vengeful kingpins, and Brazilian ball culture, maybe-18-year-old Wellington (João Pedro Mariano) falls for 42-year-old sex worker cum drug dealer Ronaldo (Ricardo Teodoro), who has a son not much younger than Wellington being raised by lesbian mothers. The two share a charged, teasing bond with yo-yoing power dynamics. Wellington softens Ronaldo, schooling him in voguing’s ebullience and showing him his battle scars, while Ronaldo grounds his protege, giving him boxing lessons while doling out paternal advice and setting strict boundaries. Boundaries that Ronaldo is desperate to maintain and Wellington comes to resent when youthful potential and a biological parent draw him away. Propelled by Marcelo Caetano’s stylish direction, this gritty coming-of-age tale wrestles with themes of love and coercion, considering what’s still possible for a restless heart when a ‘baby’ becomes a man.

PosterCompetitionFeature
Competition Icon
Langue étrangère[ZEITGEIST]101 minutes

In a fraught exchange between Leipzig and Strasbourg, Fanny and Lena warm to each other while the situation around them heats up. As it gets harder to parse fact from fiction, too much trust and not enough, they look to protest movements to teach them what out-of-control adults cannot. Writer-director Claire Burger’s nuanced drama is bracingly of-the-moment, capturing topical issues with a foreboding sense of longing and imminent disaster, and inspiring fiery performances from her leads, including Nina Hoss as a mother undone. After an initially cold reception from Lena (Josefa Heinsius) when she arrives in Germany, 17-year-old Fanny (Lilith Grasmug) will do anything to ingratiate herself with her prickly pen pal. Chocolate-covered shrooms, sexual experimentation, bonding over Antifa and black bloc protest movements—each attempt at connection becomes more daring than the one before, their “Franco-German friendship” mirroring the heated clashes of our time. When the school exchange is flipped, and Lena is now the fish out of water in France, giving into the attraction sizzling under her animosity will mean coming to terms with a world tearing apart at the seams and the fantasies built up to survive it.

PosterMade au CanadaFeature
Made au Canada Icon
Really Happy Someday[MADE AU CANADA]99 minutes

Torontonian Z, a transmasculine musical theatre performer, has NYC aspirations. The testosterone he’s on has other plans. Facing unpredictable losses and the foreign feeling of his changing body, Z forges connections that reveal how, sometimes, our favourite places are those we have yet to find. Meeting at now-defunct The Beaver, Z (co-writer/producer Breton Lalama) and Danielle (Khadijah Roberts-Abdullah) are smitten. Danielle supports him as he aims for stardom, but falls short: forced to become a barback bartender at Toronto mainstay Squirly’s after a disappointing audition. There, he’s taken under the wing of his cute, charismatic boss, Santi (Xavier Lopez), who knows a lot more about what he’s going through than Z realizes. Although Z can no longer hit Éponine’s notes in Les Misérables, with the help of his vocal coach (Ali Garrison) and a “dream world” goal, he reaches for a more compatible voice. And as we watch Z retrain, we witness actor Breton Lalama do the same in real time, both coming to terms with who they are becoming. Helmed by non-binary filmmaker J Stevens, this is incisive, richly detailed cinema afforded the flow of a life lived authentically.

PosterFeatureVIRTUAL EXCLUSIVE
Light Light Light (FR)[ZEITGEIST]89 minutes

FINNISH • FRENCH ST | A 15-year-old Finnish girl—and her older incarnation—ponder the resemblance between first love and nuclear explosions under a sky heavy with Chernobyl clouds. Befriending a loner who seems radioactive to others, Mariia tries to keep their connection from melting down, basking in the light of devotion, however blinding. By-the-book Mariia (played at different ages by Rebekka Baer and Laura Birn) comes from a close-knit but struggling household, her mother affected by a mysterious cancer. Her situation is contrasted with that of self-possessed Mimi (Anni Iikkanen), whose home is blighted by alcoholism and neglect, its wallpaper peeling. But, swimming beneath crystalline surfaces and entwined in one another’s arms, they try to drown out the ills of the world. Crimped hair and oversized sweaters capturing the innocent 80s bubble Mariia thrives in and the euphoria Mimi strives to inhabit, despite the heaviness of experience. Guided by its source material, the 2011 novel by Vilja-Tuulia Huotarinen, and inflected with the shifting haze of ennui and energy that is a hallmark of Sofia Coppola’s star-dusted tragedies, Inari Niemi’s film is a tonally precise mood piece about girlhood in all its ominous, scintillating paradoxes.

PosterMade au CanadaShort
Made au Canada Icon
Répercuté[MADE AU CANADA]15 minutes

A man comes home to his lover on their anniversary expecting a romantic night of celebration only to find someone tied up in the bathroom.

PosterMade au CanadaDocumentary
Made au Canada Icon
A Mother Apart[I+N x FMC / CMF SERIES]89 minutes

LGBTQ+ activist Staceyann Chin easily identifies as a mother, poet, writer, dissenter, and truth speaker—it is the label of “daughter” that causes her the most pause. Forced to become a sleuth, she attempts to pierce the veil of secrecy around her mother’s life and come to terms with her absence. After decades pursuing “the career of lesbianism,” Chin is now hot on the trail of her mother Hazel and a more anchored sense of self. Chin travels from Brooklyn to Montreal, where Hazel lived after abandoning Chin in search of a better life, then onwards to far-flung destinations: Germany, Jamaica. Chin talks to neighbours and loved ones, piecing together the puzzle as she goes. With every clue, she is forced to confront past traumas and test the limits of forgiveness, all while caring for her daughter, with whom she famously stages “Living Room Protests” on YouTube. Tapping into the ferocity of Chin’s slam poetry and using digital collage to convey Hazel’s floral allure, director Laurie Tonwshend paints a dual portrait of motherhood. She also practices Chin’s hard-won brand of radical kindness and compassion, finding the grace in failure.

PosterQueerment QuébecCompetitionShort
Queerment Québec IconCompetition Icon
Le flou des arbres (The Blurring of Trees)[COMPETITION]11 minutes

Two incarcerated women in a secure Northern Québec forest are subjected to the hard labour of reforestation. They enjoy a little area of freedom they’ve managed to create thanks to an empathetic prison guard.

PosterCompetitionShort
Competition Icon
EKG[COMPETITION]16 minutes

Hao Ling, an Asian American emergency doctor, struggles with his guilt and fear of ruining the relationship with his father after coming out. When a patient introduces him to the gaysian party scene, Hao reconnects to his true emotions and takes actions to reunite with his father while learning valuable lessons on relationships.

PosterCompetitionDocumentary
Competition Icon
Sabbath Queen[ZEITGEIST]105 minutes

In Sandi DuBowski’s crucial, decades-spanning documentary (executive produced by Darren Aronofsky), Rabbi Amichai Lau-Lavie takes on the Orthodox regime amid escalating reactions to his experimental spirit. It will take harrowing face-to-face confrontations, heated ideological conversations, and all the Radical Faerie magic he can muster to weather the onslaught. Part of a line of rabbis stretching back to the 11th century, at age 28 Amichai left his isolated, pressurized upbringing in Israel for the freedoms of late-90s New York. In America, he joined the Radical Faeries and tapped into the feminine divine with his Rebbetzin Hadassah Gross drag persona, finding redemption through transgression, and founding the God-optional congregation Lab/Shul. Still, he encounters a wall of tradition and the pull of his familial dynasty. Enrolling to become a rabbi at the Conservative-leaning Jewish Theological Seminary, he endeavours to change the system from the inside, but soon finds himself at odds with his peers and “co-conspirators,” defending laws he once broke. Will he have the stamina and willpower to remain true to his ideals, or will his lofty goals end up quelling his radical energy and all that he means to others?