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Made au CanadaShort

Gilbert Mhanna is a queer Lebanese artist based in Toronto. His art is baladi, a dance traditionally reserved for cis women. Together, we'll explore the relationship of his Araboqueer body to this Canadian space. How does this country continue to flow through their veins?

Made au CanadaShort

A journey into Aly’s world and his personal growth through the eyes of his new furry, Eden. Aly opens up about his next character, Lusia, who will resemble him in every way.

Made au CanadaShort

A male teenager planning to come out to his father imagines different outcomes while portraying them in different cinematographic genres in his mind.

Made au CanadaCompetitionShort

Robin is a young woman who lives alone above a gas station in North Bay. Every night she watches truckers fill their tanks up and munch on pepperettes. Robin has a secret. Robin is a porn addict. Robin can’t feel anything anymore.

Made au CanadaShort

I asked various AI to create images and narratives of black wonder womxn fighting in Florida. These are their responses: White supremacism, sexism, homotransphobia are spreading across the web. Let’s play with it and get back some power.

Made au CanadaShort

One day this kid will feel something stir in his heart and throat and mouth. One day this kid will reach a point where he senses a division that isn’t mathematical. One day this kid will talk.

Made au CanadaShort

A gay millennial reels after breaking-up with a popular influencer.

Made au CanadaDocumentaryVIRTUAL EXCLUSIVE

The rediscovery of a neon sign transports us back to when disco was queen and Edmonton’s Flashback club became “the Studio 54 of the Prairies.” Through years of violent raids and the encroachment of AIDS like wildfire, the club and its members nourished an open-hearted, fashion-forward oasis. Created and narrated by Montreal teacher and writer Matthew Hays, Flashback is an insider’s take on how a nightlife “melting pot” defied expectations of “the most Bible Belt-y place in Canada” and rose to international fame. Told he wasn’t gay enough to enter Club 70, Albertan John Reid endeavoured to create his own welcoming space: equal parts state-of-the-art discotheque, record store, and community hub. There, queer youth blossomed and Gretzky and Sarah McLachlan partied. Twirl to the soaring vocals of D’orjay and hip bump with those who were there through clouds of perfume and poppers, while getting a fascinating primer on how the club’s designers calibrated disco music for a custom-built dancefloor. Even when Flashback eventually lost its blissed-out exuberance during the AIDS epidemic, it gave much in return: a relief in a maelstrom and a social conscience for the fights to come.

CompetitionFeatureVIRTUAL EXCLUSIVE

Determined to breathe new life into the queer stock character of the sex worker, budding writer Max (masquerading as Sebastian) becomes a “digital hustler” while bathing in the words of Bret Easton Ellis. What starts out as novel fodder becomes a high-stakes balancing act between liberation and exploitation. Close-lipped and leery of scrutiny, even the publicness of social media, “wholesome boy next door” Max (Ruaridh Mollica) is able to act out his “desire to taste everything” in London bedrooms. First with older men, including the kind and curious Nicholas (Jonathan Hyde), then with more daring configurations. But when shame unexpectedly creeps into his initial, unfettered view of the sex trade, Max finds everything from his book proposal to his very sense of self tested. Before he lets his obsession with how he’s perceived subsume him, he must decide what kind of writer he will be, what kind of lover, what kind of man. His finger on the cultural pulse, Indiewire’s LGBTQ+ Filmmaker on the Rise Mikko Mäkelä (A Moment in the Reeds, I+N31, 2018) pits the coldness of market forces against the beating of a warming heart to see which—in the 21st century—will endure.

CompetitionFeature

After Nino shows Iva the ropes, the two cable car drivers woo one another in increasingly ingenious ways. Day after day, the young women pass high above a quiet Georgian valley twisted with mist, cherishing each moment of connection. But when sweetness slides into sensuality, where will it send them? A man has died, his coffin carted above the village, and Iva (Mathilde Irrmann) inherits his crooked home and high-flying occupation. At first, villagers treat her with an enigmatic disdain, and she spends her days transporting customers and goods back and forth in disquiet, stealing glances at Nino (Nini Soselia). The flirtation grows as intense as their ongoing chess game, set to the rhythm of the rusted gears and their little kindnesses. Together, they will take on a surly widow (Niara Chichinadze) and lecherous boss (Zuka Papuashvili) as their courtship reaches new heights. Auteur Veit Helmer’s Gondola has the raw intensity of silent cinema and the enchanting whimsy of Amélie. Impelled by its beguiling leads and breathtaking cinematography, the film is a love letter to the countryside and those who live there, and an invitation to let your heart soar.

Queerment QuébecCompetitionShort

Two incarcerated women in a secure Northern Québec forest are subjected to the hard labour of reforestation. They enjoy a little area of freedom they’ve managed to create thanks to an empathetic prison guard.

Made au CanadaCompetitionFeatureVIRTUAL EXCLUSIVE

This homage to Bollywood spectacle and intergenerational bonds is a time-hopping, candy-coloured crowd pleaser that induces huge smiles and big laughs while also tackling the resonant themes of enforced gender roles, passive racism, and the seismic shifts of growing up. Azra (a stunning Amrit Kaur) lives in cohabitating sexual bliss with her girlfriend in Toronto in the VHS-popping 90s when she receives news of her father’s death. One voltaic match cut later and she’s on a plane for the funeral in Pakistan with her brother (Ali A. Kazmi), where her mother (Ms. Marvel’s Nimra Bucha) nitpicks and her culture shuts her out of the mourning process. Then another and we’re in 1969 Karachi, swept up in the whirlwind romance of Azra’s rule-breaking mother (also played by Amrit Kaur, underscoring mother-daughter parallels) and dashing father (Hamza Haq) before their tough transition to 1989 Nova Scotia. Each temporal hop peeling back another layer of how Azra’s family dynamic came to be. The Queen of My Dreams is itself a moviegoer’s dream, chock-full of eye-popping visuals, high production value, and fantastic fashion. Revealing how salvation can come in unlikely ways from unlikely sources.

Queerment QuébecCompetitionShort

Five thousand twenty five walks. Fifty-two miles of floors mopped. Seventy hours watching movie stars kiss. Alice, a headstrong elder dyke, navigates environmentally induced illness while she contends with her unique notion of legacy.

Made au CanadaDocumentary

Whether wowing 1960s nightclub audiences with her vocal prowess or vanishing from the scene in a haze of rumours, Jackie Shane never failed to leave her mark. Through recorded conversations with the boundary-bursting yet reclusive icon, and the magic of ghostly, gorgeous rotoscope animation, Jackie is restored to us. Encouraged to leave Jim Crow-era Nashville by Joe Tex so that her talent could soar, Jackie Shane brought her R&B sound and daring charisma to adoring fans everywhere from mafia-controlled Montreal to her beloved Toronto, getting kidnapped and turning down a transphobic Ed Sullivan Show offer along the way. Close friends with Little Richard and an opener for the likes of Etta James and Marvin Gaye, Jackie Shane was an It girl in a time when using “she/her” seemed unthinkable. So she had a choice: global superstardom or her own hard-earned authenticity. This is the story of that choice, told through Jackie’s own words, vibrant reenactments, and assessments by contemporary trans figures, with music as the film’s soul. Executive produced by Elliot Page, Any Other Way is a triumph of the documentary form—as polished and impressive as Jackie herself.

Made au CanadaShort

A young trans man returns to his family’s farm in rural southern Ontario following his grandfather’s death, and must navigate the discomforts of familial rural life with his father.

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Six longtime friends—and one enticing “nymph”—trek to Nova Scotia’s scenic eastern shore to attend a Good Riddance party in celebration of Darcy’s divorce. There, amongst long pours of wine, tangled histories collide in uproarious ways in this wistful dark comedy. Darcy (Lesley Smith) is finally free of matrimony. But that puts her in the sights of jittery heartthrob Dax (Hilary Adams), who has a habit of using sex and her music career as a balm. Her other friends are there for guidance, but they too have some major distractions: “boozebag” Lucy (Jessica Marie Brown) is reeling from a breakup, Lauren (Nicole Steeves) is insecure about the wandering eye of Phoebe (Faly Mevamanana), and the two Julies (Stephanie Clarke, Kat McCormack) are glowingly pregnant but stagnant in the boudoir. Perennial lake activities—hiking, swimming, taking too much Molly—bring them together, while the weight of shared baggage threatens to sink their proverbial canoe. Writer-director Tara Thorne infuses Lakeview with the bite of her audacious revenge thriller Compulsus (I+N35, 2022), adding rat-a-tat-tat humour as she ping-pongs deftly between one crisis to another, charting the zippy chemistry and pliancy of true friendship.

Made au CanadaShort

Infamous outlaws The Lily and The Scorpion are on the run after a bank job gone wrong, but as day turns into night, the partners’ trust in each other begins to fray.