
SOPHIE HELDMAN | GERMAIN, SWITZERLAND + UNITED KINGDOM | 2026 | 114 MIN | ENGLISH
SOPHIE HELDMAN | GERMAIN, SWITZERLAND + UNITED KINGDOM | 2026 | 114 MIN | ENGLISH
Based on a true story of scandal in early-1800s Edinburgh that inspired The Children’s Hour, Sophie Heldman’s tragic historical drama pulls at the colonial threads originally left unpicked. Centering a defiant, mixed-race girl from Calcutta on the cusp of 16 and the two female teachers whose burgeoning attraction she intuits. A wealthy matriarch (the inimitable Fiona Shaw) wants what’s best for her three granddaughters, ‘little women’ with big dreams. Or so she says. The truth is, her oldest granddaughter, Jane Cumming (Mia Tharia), is othered by her Indian heritage. Relegated to the sidelines, rebuffed by her family when she tries to fit in. But to her two kindly teachers (Flora Nicholson and Clare Dunne), she is “no different,” and Jane flourishes under their tutelage. They grow close, Jane privy to hidden moments of connection that even the older women might not fully comprehend. Feeling entitled to the warmth and comfort of their presence—and an acknowledgment of the identity the three secretly share. A wish that will lead to cross-generational queer mentorship gone awry. A chilling warning of what happens when we are scared of those who might see us best.
Sophie Heldman is a German filmmaker and screenwriter born in Hamburg and raised in Switzerland. She began her career working on independent film productions in New York and South Carolina before studying directing at the German Film and Television Academy Berlin (DFFB). She also worked as an assistant director for filmmakers including Sydney Pollack, Stina Werenfels, Daniel Schmid and Xavier Koller. Her feature debut, Colors in the Dark (Satte Farben vor Schwarz, 2010), premiered in competition at the San Sebastián International Film Festival. The Education of Jane Cumming is her second feature film.
We hoped to uncover the tensions that brought these women from different worlds and classes together and into court, where they remain bound together over 200 years later. […] It is out of this formative experience that I feel close to all three main characters. […] I am as touched by Jane Pirie and Marianne Woods' pursuit of justice in the face of all odds as I am by Jane Cumming's desperate attempt to break open social structures that are not changing fast enough. Therein lies the unique tragedy of this story.
Bettina Brokemper, Karin Koch, Nadira Murray
Flora Nicholson, Sophie Heldman