یک روز این سر One Day This Kid

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Gilbert Mhanna is a queer Lebanese artist based in Toronto. His art is baladi, a dance traditionally reserved for cis women. Together, we'll explore the relationship of his Araboqueer body to this Canadian space. How does this country continue to flow through their veins?

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A journey into Aly’s world and his personal growth through the eyes of his new furry, Eden. Aly opens up about his next character, Lusia, who will resemble him in every way.

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A male teenager planning to come out to his father imagines different outcomes while portraying them in different cinematographic genres in his mind.

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Robin is a young woman who lives alone above a gas station in North Bay. Every night she watches truckers fill their tanks up and munch on pepperettes. Robin has a secret. Robin is a porn addict. Robin can’t feel anything anymore.

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Between loads of laundry at the corner laundromat, Cooper shares the tumultuous story of her gender reassignment journey.

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I asked various AI to create images and narratives of black wonder womxn fighting in Florida. These are their responses: White supremacism, sexism, homotransphobia are spreading across the web. Let’s play with it and get back some power.

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A gay millennial reels after breaking-up with a popular influencer.

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A gay millennial reels after breaking-up with a popular influencer.

Documentary

Spoiler alert: chances are if you were watching television in spring 2016, you witnessed the startling peak of the Bury Your Gays trope. LGBTQ+ females from Buffy’s Tara to The 100’s Lexa have gotten the axe and this wry exposé investigates the dismaying trend and ensuing sea change. Bouncing back and forth from Toronto to culture hubs like L.A. and London, Bulletproof unfolds like the plot of a great mystery. There are the victims: queer female characters. The murderers: harried television writers, showrunners, and producers who, for a myriad of reasons that the doc unpacks, have chosen to kill off fan-favourites. And then there are the detectives: a “rainbow network” of journalists, media psychologists, fan community leaders, and many more who dissect the catalysts and impacts of shifting queer depictions. Not to mention the documentarian themself, “gay as hell” TV junkie Regan Latimer on year six of what was supposed to be a one year project, uncovering personal, societal, and scientific revelations alongside their wise-cracking on-screen surrogate, Lindy Zucker. Through clever references and animation, Bulletproof proves that representation has life-or-death stakes and fantasy can be as essential as reality.

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A man comes home to his lover on their anniversary expecting a romantic night of celebration only to find someone tied up in the bathroom.

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Between loads of laundry at the corner laundromat, Cooper shares the tumultuous story of her gender reassignment journey.

DocumentaryVIRTUAL EXCLUSIVE

The rediscovery of a neon sign transports us back to when disco was queen and Edmonton’s Flashback club became “the Studio 54 of the Prairies.” Through years of violent raids and the encroachment of AIDS like wildfire, the club and its members nourished an open-hearted, fashion-forward oasis. Created and narrated by Montreal teacher and writer Matthew Hays, Flashback is an insider’s take on how a nightlife “melting pot” defied expectations of “the most Bible Belt-y place in Canada” and rose to international fame. Told he wasn’t gay enough to enter Club 70, Albertan John Reid endeavoured to create his own welcoming space: equal parts state-of-the-art discotheque, record store, and community hub. There, queer youth blossomed and Gretzky and Sarah McLachlan partied. Twirl to the soaring vocals of D’orjay and hip bump with those who were there through clouds of perfume and poppers, while getting a fascinating primer on how the club’s designers calibrated disco music for a custom-built dancefloor. Even when Flashback eventually lost its blissed-out exuberance during the AIDS epidemic, it gave much in return: a relief in a maelstrom and a social conscience for the fights to come.

Documentary

Whether wowing 1960s nightclub audiences with her vocal prowess or vanishing from the scene in a haze of rumours, Jackie Shane never failed to leave her mark. Through recorded conversations with the boundary-bursting yet reclusive icon, and the magic of ghostly, gorgeous rotoscope animation, Jackie is restored to us. Encouraged to leave Jim Crow-era Nashville by Joe Tex so that her talent could soar, Jackie Shane brought her R&B sound and daring charisma to adoring fans everywhere from mafia-controlled Montreal to her beloved Toronto, getting kidnapped and turning down a transphobic Ed Sullivan Show offer along the way. Close friends with Little Richard and an opener for the likes of Etta James and Marvin Gaye, Jackie Shane was an It girl in a time when using “she/her” seemed unthinkable. So she had a choice: global superstardom or her own hard-earned authenticity. This is the story of that choice, told through Jackie’s own words, vibrant reenactments, and assessments by contemporary trans figures, with music as the film’s soul. Executive produced by Elliot Page, Any Other Way is a triumph of the documentary form—as polished and impressive as Jackie herself.

FeatureVIRTUAL EXCLUSIVE

Inspired by true events, in 1970 an unorthodox mother sends her offbeat son from New Brunswick on a wintry cross-country mission past Quebec to retrieve his brother from Toronto after a public sex violation. Antics ensue in the Two-Solitudes atmosphere, bursting with revealing humour about brotherly love and French-English relations. In bravura performances, Alan Cumming plays motormouth Perley—dressed in an ushanka and ascot, taxidermied dog tucked under his arm—and Charlie Creed-Miles is Weldon—a gruff stoic in crooked glasses. These oddball siblings travel through frozen nights and across the language divide as they bicker, break down, and ultimately bond in their journey through central and eastern Canada. Weldon forced to confront the reality of Perley’s homosexuality (and his abject fear of being required to speak French) as he processes a horrific event from their past. After a lifetime of shutting down, a new set of dire circumstances has them opening their ears to hear one another’s stories. Award-winning filmmaker Michael Clowater, a master of wringing humour from pain, never loses sight of Perley and Weldon’s essential humanity among the pratfalls and bigotries, embedding beautiful truths in the film’s engrossing frictions.

FeatureVIRTUAL EXCLUSIVE

This homage to Bollywood spectacle and intergenerational bonds is a time-hopping, candy-coloured crowd pleaser that induces huge smiles and big laughs while also tackling the resonant themes of enforced gender roles, passive racism, and the seismic shifts of growing up. Azra (a stunning Amrit Kaur) lives in cohabitating sexual bliss with her girlfriend in Toronto in the VHS-popping 90s when she receives news of her father’s death. One voltaic match cut later and she’s on a plane for the funeral in Pakistan with her brother (Ali A. Kazmi), where her mother (Ms. Marvel’s Nimra Bucha) nitpicks and her culture shuts her out of the mourning process. Then another and we’re in 1969 Karachi, swept up in the whirlwind romance of Azra’s rule-breaking mother (also played by Amrit Kaur, underscoring mother-daughter parallels) and dashing father (Hamza Haq) before their tough transition to 1989 Nova Scotia. Each temporal hop peeling back another layer of how Azra’s family dynamic came to be. The Queen of My Dreams is itself a moviegoer’s dream, chock-full of eye-popping visuals, high production value, and fantastic fashion. Revealing how salvation can come in unlikely ways from unlikely sources.

Feature

In the vein of the Tony award-winning musical Stereophonic, this must-see drama is a Behind the Music-style glimpse of a 2000s Toronto indie band with Fleetwood Mac-like flare ups. With a trans frontman and queer members, The New Normals break boundaries while breaking one another’s hearts. Building off the source material, the novel Heidegger Stairwell by Kayt Burgess, Karen Knox maintains balletic control of multiple perspectives and aesthetics, following how each of the five core members handles firsts: first music video, first phone sex job, first love triangle. Music saves this close-knit crew from quarrels when it’s not causing them, but it’s the in-fighting, the “threads of connection and tension” that keep their audience hungering for more. Will the trans frontman (Lane Webber) stay with his queer girlfriend and songwriting partner (June Laporte) or find a different tune with Lugh (Daniel Gravelle)? Will the band survive or live on only in tribute? These concerns converge in a film charged with envy, creative friendship, and reckless love, and chock-full of pedigreed talent, including co-writing credits from award-winning Canadian writer, Zoe Whittall and festival alumni, Pat Mills as well as original songs from Stars’ Torquil Campbell.

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A young woman and her friend are led to a metamorphic realization when they ponder the nature of dreams.